A Quote by Tina Fey

When I turned 50, I looked in the mirror and I thought: "Hey, this isn't the dress rehearsal, this is life and I don't know how much longer I'm going to have!" — © Tina Fey
When I turned 50, I looked in the mirror and I thought: "Hey, this isn't the dress rehearsal, this is life and I don't know how much longer I'm going to have!"
I think there's a point at which you know how you dress isn't going to affect how much you do in life.
I looked at myself in the mirror. I looked awful, but I always look awful in the mirror. I keep myself going with the firm belief that my real face is much better looking.
Today I saw a guy who looked like me in a funhouse mirror. He looked at me like, Hey, that's how I look reflected in the pond!
I remember reading an interview that Anthony Hopkins had given about how he developed Hannibal Lecter. He said he just looked in the mirror and, I forget exactly what it was, but he looked in the mirror and realized that when he smiled, it looked creepy.
She pulled away and looked at him. 'I kissed you and you left.' When Kat heard the pounding, she thought it was the beating of her heart. It was too loud, she thought. Hale was going to hear it; he was going to see it; and he was going to know how much power he had to hurt her.
I remember the day I turned thirty. I was getting out of the shower and I stood in front of the mirror and stared at myself for a long time. I examined every inch of my body and appreciated the fact that I finally looked like a grown woman. I also assumed that this was how I was going to look for the rest of my life. The way I saw it, I was never going to age; I'd just look up one day and be old.
Breakfast Club was great because we had a real rehearsal, and we shot primarily in sequence. I thought that was going to be how movies were done. I didn't really know how lucky we all were. We had a director that liked actors. I didn't know that was going to be rare.
I just love the fact that all my pals are basically looked after. You know, we have these amazing deals, these guys split 50 percent. We have ownership 50 percent, all the bonuses 50 percent, and everybody's going to be alright. So going forward into the future, every one of these Millarworld projects, as we call them, 50 percent partners on everything. So it's just a really happy environment to be working in.
I don't believe in sort of holding back, you know, life isn't a dress rehearsal!
You have to learn how to dress yourself and how to walk into a room and talk to people. Once you're in rehearsal, you have to know how to rehearse and how to communicate with your creatives, even if you don't communicate the same way.
I still have a picture: three cars, big house, I'm standing there like I'm 50 Cent. I look at it sometimes and say, 'Look how stupid you were.' But that made me who I am, and I can look back and see it. I've learned. I grew up. I woke up one morning, looked in the mirror, and thought, 'No, that's not me. I don't want to be that. I'm a footballer.'
I'm an artist with a message, and my message is more for society, casting the mirror onto them and saying, 'Hey, this is what we look like, what are we going to do about it, how are we going to use what we've been through to aid where we're going.'
My first recognition of age setting in was exactly on my 36th birthday. I have no idea why, on this day of all days, I looked in the mirror and realized my face no longer looked young.
Hey, Rosalie? Do you know how to drown a blonde? Stick a mirror to the bottom of a pool.
How much longer will you go on letting your energy sleep? How much longer are you going to stay oblivious of the immensity of yourself?
The more I talk, the more I come out and people get to know who I am and what I'm about, it's only gonna help. And if you don't like me, hey, cool. Everything in life is 50/50. I accept the good and the bad and just move on.
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