A Quote by Tina Fey

Don't be too precious or attached to anything you write. Let things be malleable. — © Tina Fey
Don't be too precious or attached to anything you write. Let things be malleable.
Don't be too precious or attached to anything you write. Let things be malleable. For sketch writers, remember they're called sketches for a reason. They're not called oil paintings. Some of them are going to stink. You have to let them stink.
Don't get attached to any one idea. Nothing is too precious.
To write weekly, to write daily, to write shortly, to write for busy people catching trains in the morning or for tired people coming home in the evening, is a heartbreaking task for men who know good writing from bad. They do it, but instinctively draw out of harm's way anything precious that might be damaged by contact with the public, or anything sharp that might irritate its skin.
You get attached to the way you write, and I'm attached to notebooks. That's where I really write the plays. Just two or three pages at a time, then I transfer to the typewriter and rewrite while I type.
When you're not attached to anything, nothing can harm you. When people become attached, they can be harmed. I know this, so I don't attach myself to anything, really.
I write for fanboy moments. I write to give myself strength. I write to be the characters that I am not. I write to explore all the things I'm afraid of. I write to do all the things the viewers want too. So the intensity of the fan response is enormously gratifying. It means I hit a nerve.
I often say time is malleable, but the reception of an artwork is malleable too. When the culture changes, the view and the way you see that work, your perspective, changes. It's something that you can't control. It's sort of daunting and intimidating, but at the same time very fascinating, extremely fascinating.
I think that when you let go and "throw it all away" and stop getting attached and say "whatever happens, happens", you don't invest too much in anything particular, and things work out.
Don't get too attached to anything.
One day you will disappear on a funeral pyre - just into nothingness, as smoke. Don't get attached to anything. This attachment takes you away from your real being; you become focused on the thing to which you are attached. Your awareness gets lost in things, in money, in people, in power. And there are a thousand and one things, the whole thick jungle around you, to be lost in. Remember, non-attachment is the secret of finding yourself, then awareness can turn inwards because you don't have anything outside to catch hold of. It is free, and in this freedom you can know your self-nature.
Remember me? I'm back to my old self again. No responsibilities, no attachments, no encumbrances. I don't want to own anything, love anyone, or get too attached to people, places or things. It's a rule that seems to work well for me.
I would never live in anything I design. Life and art are different. My life is very precious to me - my art is precious to me. I love designing things for other people, but I don't like designing things for myself.
I don't write about anything I don't want to write about. I like to think I could write about anything pretty much that I chose to. I have been asked to write songs about specific things, and I've always been able to come up with the goods.
My kids are more precious to me than anything. I'm with them all day, and I write all night.
Transcendence or detachment, leaving the body, pure love, lack of jealousy-that's the vision we are given in our culture, generally, when we think of the highest thing. . . . Another way to look at it is that the aim of the person is not to be detached, but to be more attached-to be attached to working; to be attached to making chairs or something that helps everyone; to be attached to beauty; to be attached to music.
I think anything that you can't poke fun at is a little too precious.
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