A Quote by Tina Fey
When you have a set of characters, you have to fall in love with them and care about them as each individual character.
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You start to fall in love with characters as you work with them, and anytime that you care about your characters and you realize that you're gonna have to kill them, that fear creeps in. It's sad. It's scary, and it's also sad. Because you like these people.
I love books where you can fall in love with the character. And when I say fall in love, I don't mean to be so enraptured by them but to know them really deeply.
The key to dealing with people in general is that they have to know that you care about them. You have to deal with people in gentleness. You have to come along side of them. You can't push them. You can't pull them. You have to walk with them. In order to do that, you've got to demonstrate care for that individual. That's my whole thing
If you cared enough about your characters, what happened to them was interesting... it's important to care about them, about who they are and what they do...I don't really care whose side they are on, and they can be monstrous on the outside or, worse, on the inside, but you still have to want to spend time with them.
Everybody's journey is individual. If you fall in love with a boy, you fall in love with a boy. The fact that many Americans consider it a disease says more about them than it does about homosexuality.
We seek to craft characters who inspire empathy: characters our audience will care for and, as a result, will care about what happens to them and thus will share the journey we have charted. A story, after all, is the character's journey.
When you're playing a character, as an actor or actress, you can't judge them for what they do. You really have to find what is in them that you have compassion for and fall in love with that character, regardless of what they do or how they behave.
When you create those characters that people love and care about and put them in a dark hallway, already the audience is on edge, and they feel empathy for that character. Then it's up to me to decide what jumps out in that hallway. So I think laying that foundation of strong characters and strong story is the most important thing in a horror film.
I can always tell when a filmmaker doesn't care about his or her characters; they just care about setting them up to kill them off.
I care more about making sure the story is correct and the characters are behaving in character than I do about the individual jokes.
It doesn't matter whether characters are real people or not; if they're not vivid on the page, then the reader doesn't care about them that much, and, if the reader doesn't care about them that much, then they don't care what happens to them.
Somehow we allow, if a character goes to the dark side, if we're hooked into that character - I'm obsessed with Peaky Blinders. Those characters are awful, and yet you root for them. You love them! Same with Breaking Bad. That's not as easy in a feature.
You can never judge your characters. You have to love them, really care about them. You're never just playing a villain or the crazy lady.
Sometimes I'll be fifty, sixty pages into something and I'll still be calling a character "X." I don't have a very clear idea of who the characters are until they start talking. Then I start to love them. By the time I finish the book, I love them so much that I want to stay with them. I don't want to leave them ever.
In the gametes of an individual hybrid the Anlagen for each individual parental character are found in all possible combinations but never in a single gamete the Anlagen for a pair of characters. Each combination occurs with approximately the same frequency.
It's all about the integrity of their characters. They [Marvel] care so much about the loyalty and integrity of each and every character and all of their stories. They trust and love their readership. They're the ones who have invested in these stories.
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