A Quote by Tina Fey

My problem with the traditional acting method was that I never understood what you were supposed to be thinking about when you're onstage. — © Tina Fey
My problem with the traditional acting method was that I never understood what you were supposed to be thinking about when you're onstage.
That's an amazing feeling, to walk onstage, and you're not thinking about anything, you're not thinking about your lines or what you're supposed to do - your body, your brain knows, so there's freedom. There's not fear, there's not nerves.
Although all studios are now moving towards digitalization, a foundation in which we draw pictures by hand hasn't changed, so I foresee that we will continue to keep it in the future. After all, we used the digital method based on a conception of expanding and advancing the expression of the traditional animation cel in Steamboy. The first goal of this project was to overcome limitations of camera angles caused by platforms. On that aspect, I won't go back to the traditional method. I hoped to combine the merits of the traditional method of cel animation with the merits of the new CGI method.
I've always done method acting. I'm a method actor, and I've done that for years. I never did acting and decided to take it seriously because all the parts people want me to do were playing the pretty role. If I want to play someone pretty, I'll play myself.
A warrior lives by acting, not by thinking about acting, nor by thinking about what he will think when he has finished acting.
I consider myself a method singer, not a method actor. I applied method acting to singing.
Method acting is a label I don't really understand, because there's a method to everybody's acting.
My grandfather talked about James Dean; they were both very much into method acting.
I love being onstage, whether it's dancing or acting - there's just something about being onstage.
No one is really a method actor, everyone has their way of going about it, preparing for it, but method is preparation, it's what you do to prepare. So my method is to read the script. Some actors' method is to read the script a hundred times and in the doing of it, to immerse themselves in as much of the reality as possible. Me, I believe strictly in acting. If I am out of breath, I'm out of breath. I ain't running nowhere.
I speak onstage to try to establish some method of communication. The songs are supposed to be a way of communicating. But speech and drinks and sometimes chocolates are also a way of communicating.
Acting was always something I pursued by myself. When we were in college, I took an acting class that I was so passionate about and devoted to, but I went to it privately and never really spoke about it. I'd have these ecstatic experiences in, like, a church basement and then never talk about it with other people.
Look, we understood we couldn't make it illegal to be young or poor or black in the United States, but we could criminalize their common pleasure. We understood that drugs were not the health problem we were making them out to be, but it was such a perfect issue for the Nixon White House that we couldn't resist it.
Do you remember when everyone began analyzing Beatles songs..I don't think I ever understood what some of them were supposed to be about
A work of art can start you thinking about some aesthetic or philosophical problem; it can suggest some new method, some fresh approach to fiction.
When I was starting, I was working with actors who came up through the rep system, and they understood the discipline required: you were never late for rehearsal, you were never not ready to go on, you were always prepared; it was about showing respect to the rest of the company.
Modern acting is method acting, most of it. And there are sort of different schools, so I guess I'm not really from one school or another. I had a number of different teachers but they were all kind of drawing from the same pool, which is - What do you want? What are you doing to get what you want? And, what is in the way? These are basic acting questions. Knowing the answers to those questions. So you're talking about objectives and actions and obstacles. That's a sort of shorthand that gives you a language.
This site uses cookies to ensure you get the best experience. More info...
Got it!