A Quote by Tina Fey

The thing that always fascinated me about improv is that it's basically a happy accident that you think you're initiating. — © Tina Fey
The thing that always fascinated me about improv is that it's basically a happy accident that you think you're initiating.
I think I always wanted to go into physics. What always fascinated me about science was the desire to understand what underlies it all, and I think physics is basically the study of that.
Improv is a very big thing for me. The thing with actors is I do not understand at all how they do what they do. I'm fascinated by it, and I have such a respect for it.
I think with improv - and I say it all the time because it's become such a catch thing that you talk about improv - if the scene is well-written, you don't need to improv. But that being said, if something strikes you in the moment and, most importantly, you know where the scene is supposed to go, it's no different than method acting.
I think sometimes when people start doing improv there's some regression towards trying to replicate the "good" improvisers that they've read about in their improv books or heard about from their teachers. That's understandable, because they're trying to learn technique and stuff, but I actually think that my favorite performers are ones who have unique improv technique but also have a unique point of view that you can feel with them and their performances.
I had been on this improv team at this really great improv theater. It's called iO now. It used to be called Improv Olympic. They have showcases for Lorne Michaels and other writers and people who work at 'SNL' usually about once a year, although I don't know if it always happens.
My rule of thumb is to always do what's on the page first. Then you can talk to your director about playing with it. Improv frees me up in a character, but I would be mortified if the writers who agonized over their words assumed I thought my improv was more valuable.
I think one of the things about listening is that it's always at its most powerful when it's present, when it's right here, when it's right now. And that's a lesson about improv that I think just made me a much more social person.
I think I have to work to write a happy song. I write them carefully; they're simple and they're about when it's fun to walk down the street. You know? Because that's the best thing about when you're happy. It's just one little thing that makes you happy, and you're making friends. The kind of thing I can do is capture this moment.
I think in the inception and creation of the characters, improv was the most important part for me, because I wanted to feel at home in those characters. I wanted to feel like I could commit to them. And so much of improv is saying yes and committing, so I think that's where the improv came in. Even if I'm saying yes to the X across the room from me, or the tennis ball on a stick, I have to stay alive.
I think the driving thing was curiosity about the universe. That fascinated me. I didn't think anything about being famous or anything like that, I was just interested in the concepts involved.
I think it's a lot richer than what we call fleshy improv, I think it's very funny, puppet improv and fleshy improv.
The biggest thing that comes out of improv that gets built on is just character traits. You know, for me the singing was born out of improv.
The way I was brought up in improv was that any idea you have is not as good as your partner's idea, so if I see someone else initiating at the same time I am, I just defer to them because I assume their idea is going be better. And hopefully, they're doing the same with me.
I've always been fascinated with marine geography and how deep things are. I was spellbound by the tsunami, for example, by the actual maps. There is just something about the unseen bottom of the sea that has always fascinated me, how deep is it.
One thing my old improv teacher taught me is when you're not in the improv scene and you're standing back watching your partners, you ask, 'What does the scene need?'
Well, actually, the Second City thing came about because I was taking a few improv classes there. I thought that the improv classes would help with my wrestling career, which it has.
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