A Quote by Tina Fey

I wrote a one-act play - I can't remember the name of it, but it was really about the way women are perceived as leaders. In the play, Catherine the Great would say things like, "You know, John F. Kennedy had extramarital affairs and no one says anything. But I bang one horse and now I'm a horse banger for all eternity? That's it? That's what I am?"
I'd like to play a horse, many people think I already have. Either end of the horse would be fine.
I remember some people after the Olympics that had no idea about horses would ask, 'Do you do that with the horse, or does the horse do it by itself?' I think the fact that you can make it look like you are doing nothing is a real talent. And it is such a massive reward at the end of it.
I used to ride horses and I remember one day I was working with a horse and we were having it jump, you know? There was a competition and so we were doing a test run and the horse fell on top of my body. I was a kid, like 7 years old. It took them a long time to take the horse off of my body after it had fallen.
He’s sort of a homeless horse,” I said. “I’m leaving for the airport in two seconds, and I won’t be back for a couple days. You can put the horse in the garage, but I don’t want that horse in my apartment.” “Who would put a horse in an apartment? That’s dumb.” “Where’s the horse staying now?” “My apartment.” “I can always count on you to brighten my day,” Ranger said. And he disconnected.
A horse, you know, they can't say, 'Hi? How are you? I'm so-and-so,' you know? So they communicate through typically smelling or, you know, just body language. And when a horse approaches another horse, the first thing they do is they smell noses.
I have to say my relationship with the horses is the biggest thing, and it grows. I love horses more and more every day, and I'm breeding, so when I'm playing a horse that's the son of a horse, the daughter of a horse I used to play, it's like bonding. So I think that's the most amazing part of it. It's the passion that we polo players have for the horses first, and then the game and the strategy of the game and winning and the team and your teammates, all of those things are a big part of it, but the horses are my favorite part.
A horse walks into a bar, and the barman says "Why the long face?". The horse replies: "I'm deeply troubled by the anthropomorphic aspects of my existence and the extent to which I am now protected by law."
There is a story in Zen circles about a man and a horse. The horse is galloping quickly, and it appears that the man on the horse is going somewhere important. Another man standing alongside the road, shouts, «Where are you going?» and the first man replies, «I don't know! Ask the horse!» This is also our story. We are riding a horse, and we don't know where we are going and we can't stop. The horse is our habit energy pulling us along, and we are powerless.
Dione Lucas has been obscured by larger-than-life personalities like Julia Child, but she had it going on. She is like the horse that came in second place, whose name we can't remember. It takes more than just one horse to make a race.
Heath [Ledger] would walk up to a horse and could like silence the horse. Just literally he'd be like, 'Shh. Shh.' And then he'd get on the horse. I'd be like, 'I'm going to get on you.' They'd be like, 'F - off!' I didn't really have that style.
How the horse dominated the mind of the early races especially of the Mediterranean! You were a lord if you had a horse. Far back, far back in our dark soul the horse prances...The horse, the horse! The symbol of surging potency and power of movement, of action in man!
It was as if my father had given me, by way of temperament, an impossibly wild, dark, and unbroken horse. It was a horse without a name, and a horse with no experience of a bit between its teeth. My mother taught me to gentle it; gave me the discipline and love to break it; and- as Alexander had known so intuitively with Bucephalus- she understood, and taught me, that the beast was best handled by turning it toward the sun.
I don't mind when my horse is left at the post. I don't mind when my horse comes up to me in the stands and asks, "Which way do I go?" But when the horse I bet on is at the $2 window betting on another horse in the same race...
One of the books I remember reading when I was young and always thought would be a great role to play is Catherine in 'Wuthering Heights.' I like the classics.
I think being able to age gracefully is a very important talent. It is too late for me. The horse is out of the barn... In past generations, people would try to play younger than they really are. My trick is, I don't try to play younger than I really am.
If you have a horse that can beat horses worth $20,000, typically you enter it in a $20,000 claiming race. Now there might be people who feel their horse is worth $20,000, and they say, 'I wouldn't mind seeing the horse get beat.' So they'll enter it for $40,000 so the horse looks like it's performed badly.
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