A Quote by Tina Fey
I didn't get on TV until I was 30, which is really fortunate because you are who you are at that point.
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Contrary to what so many think, life for the stars of Hollywood TV or movies is really quite tame. You get up at 4 A.M., arrive at the studio by and shooting starts at 8. Then you keep on working until 7:30 or 8 P.M. or even 11 at night. By the time you get back home, you're too exhausted for anything but sleep.
I'm a morning person because I learned to write my novels while still practicing law. I would get to the office at 6:30 a.m. and write until other people arrived, around 9. Now I still do that. I start at 6:30 or 7, and I'll write until 11, then take an hour off, then work until about 2 p.m. By then my brain has had enough.
There's something really cool about TV. TV, you get the luxury of having the same people around. It is such a blessing when you get a TV job. You really have a chance to get to make, like, work friends. I think TV is one of the few mediums where I've had the opportunity to get to know my crew members.
I wanted to be involved in TV and film in some capacity, so a compromise, because acting seemed unrealistic, and so risky, was to get into the production side. And it was a really fortunate, smart move looking back on it, because it gave me perspective on another side of the business.
You don't get a chance to sit back and relax because this is the point where we're tweaking things to see what works and what doesn't work; so the level of concentration is very focused. But who wouldn't be happy with this? It's a great opportunity and a really great piece of writing. I'm just really very fortunate.
I don't believe that less fortunate people should have to wait until a movie is released on public TV for free, while richer people get to see it months in advance.
I think I've been fortunate over the years to be at a point in my career where I really get to choose the partnerships that I really want to take on and they're a perfect fit.
You don't really know when stand-up material is TV ready; it's just at what point you're willing to let it go and not work on it anymore. I'm not sure there is a point at which you think: 'And that is finished.'
This is the NBA; you can't stop everybody from scoring 30. But that 30? They're going to work for every point they get. And that's my mindset.
I'm fortunate enough to get hair and makeup every day because of what I do, but it's the same, consistent look. Great for TV, not so fun for a wedding!
My advice is that if you really want to be a screenwriter, get out here and be ready to take no for an answer many times until you find your way through it and are fortunate enough to get something made.
I got really good input up until the age of 11, which is perfect. That's when adolescence starts, when I would have really wanted to rebel. Up until that point, though, it didn't feel like doctrine, and it gave me a great moral structure.
Films for TV have to be much closer to the book, mainly because the objective with a TV movie that translates literature is to get the audience, after seeing this version, to pick up the book and read it themselves. My attitude is that TV can never really be any form of art, because it serves audience expectations.
I think kids should go to high school until they're 30. No, really, because people are staying younger now and there's nothing to do. If you stayed longer, then it would be really great.
I didn't really make up my mind to be an actor until I did 'The Hitcher' with Rutger Hauer. I was about 17 or 18 when I did that, by which point I'd probably done a dozen or more movies or TV things, but 'The Hitcher' was the experience that made me want to study and commit and learn how to do this for my life.
I'm going to stick to what I can do... because if I try and,,, do the impossible, I will either get too frustrated to the point where I won't enjoy the sport anymore, or I will get hurt and maybe have to get hip replacements at age 30.
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