A Quote by Tina Weymouth
Many Japanese painters and calligraphers would change their names intentionally to keep their relationship to the art always fresh. This way, others' expectations can be avoided.
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Did not the artists of the great age of Japanese art change names many times during their careers? I like that; they wanted to safeguard their freedom.
We have many years to eat and sleep, but how many years do we have to make a difference in the lives of others? That's the highest calling any of us can have: Living our life so as to intentionally add value to others. But to do this, we have to make ourselves more valuable. We have to keep learning, growing, developing as leaders and taking responsibility for being the change we want to see in the world.
I think you too recognize the important relationship between philosophy and art, and it is just this relationship that most painters deny. The great masters do grasp it, unconsciously; but I believe that a painter's conscious spiritual knowledge will have a much greater influence upon his art, and that it would be due only to a weakness in him, or lack of genius, should this spiritual knowledge be harmful to his art.
I'm always trying to change things - change my character, change my look, change my hair, change my facial hair, change my costumes, or implement different jackets or catchphrases. I try to keep myself fresh.
I'm very influenced by landscapes, not so much the way places look as the way the names sound. In this country we've got so many cultures, and the place names - the Spanish names and the Indian names, which are so incredibly musical.
I always say Philadelphia, Pennsylvania is my biggest influence. But for painters, I like many, many painters, but I love Francis Bacon the most, and Edward Hopper.
When I was painting in art school - and I think many painters in the 1980s worked similarly - a finished painting would often be constructed from lots of other paintings underneath. Some of these individual layers of painting were better than others, but that was something that you would often only realise retrospectively.
I'm not really an art collector - I'm more of a person who picks up things. I have pieces by people like Gerhard Richter, for example, but then also others by unknown Japanese artists, and not many real art collectors do that.
Sometimes I think marriage licenses should be like driver's licenses. They expire after a number of years, and in order to keep going you have to renew. Wouldn't that be kind of genius? It would force you both to look at the relationship, and if it's not working, the marriage would expire so you could go on your merry way, or on the positive side of it, you could look at each other and say we really want to renew. What a way to keep it fresh!!
Do you think that we're products of our environments? I think so, or maybe products of our expectations. Others' expectations of us or our expectations. I mean others' expectations that you take on as your own. I realize how difficult it is to seperate the two. The expectations that others place on us help us form our expectations of ourselves.
There are, of course, always painters whom I admire and find fascinating. I've often thought, 'Goodness, if I could paint like the Danish Golden Age painters, the early 19th century painters, the way they could paint a landscape - absolutely beautiful.'
Many people feel so pressured by the expectations of others that it causes them to be frustrated, miserable and confused about what they should do. But there is a way to live a simple, joy-filled, peaceful life, and the key is learning how to be led by the Holy Spirit, not the traditions or expectations of man.
I write about art out of gratitude to painters for the joy and spiritual uplift they have given me. Painters interpret for us the visual glories of God and, in this way, bring us closer to Him.
Even if we didn't make records, we would have done it on the side for fun. Like, some painters sell their work; others just keep it - they love to do it whether they get paid or not.
To be honest, I didn't have any expectations. I really didn't know what to expect. What I was most nervous about was the repetition of doing it over and over and over again. Does that get stale? How do you keep it fresh? Then I realized it's always new because you get to keep playing the next moment.
I'm aware of how pop culture really infiltrates your expectations in a way that even if you think you're savvy about pop culture, it's so hard not to have these expectations of what a relationship should be. So I constantly feel like I have to bat those expectations down.
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