A Quote by Tinie Tempah

Dizzee's just my childhood hero. He's definitely the inspiration. He's got himself to a very good place. He's defied the expectations of what British black urban music was like. He was the first person who made the rest of Britain realise it wasn't just a one-album-type situation. You've got to take your hat off to somebody like that.
Just put football first, or your job first. Give everything you've got all week, work hard, work super-hard to take it to the next level every week. And when you feel like you got to the point where you want to be, you definitely need the time to go out, relax, have a good time, take all the stress off it.
People ask me if I'm influenced by British music, and I suppose I grew up listening to mostly British music - from new wave stuff through to heavy metal. Like, when I got into metal, it was Black Sabbath. I never really got into a lot of American rock. I appreciate some of it, but not much! Most of the great new wave music was coming out of Britain, and Germany. So maybe those influences have made their way into my music, and perhaps that's why I have this connection with people in Europe. But maybe it's something cosmic.
When you're in pajamas that are sagging in the ass because you've got a battery pack that's weighing them down, and covered in 2,000 LEDs, and your face has 150 black dots on it, and you're probably standing in six-inch heels, it is a big challenge to imagine that you're the master of the universe when the rest of your cast members are laughing their ass off at you. So there's no question that there was a very difficult task that I had, but it wasn't living up to somebody else's expectations of the story. I was just trying to do the screenplay that was written.
I'm not a very shy person. I'm just somebody who's got a lot of work and who doesn't like to parade himself in new celebrity contexts.
You've got the Wall Street situation, the sub-prime situation. You've got a black president. We've got wars. We've got unemployment. But the music doesn't reflect that. And I challenge anybody to show me a music that's on the radio that reflects that.
I think the old school, back in the day, 10 to 15 years ago in music, is like you launch one single and you just let that ride out. Right now, you've got folks like Chris Brown, he just won't let up, he's got mixtape after mixtape, they're playing songs on the radio from the mixtape and then he's got songs on the album and videos and he's got remixes he's jumping on.
I think, when all bands start, when you're on your first album you have the benefit of hoovering up people who genuinely come across the music and really like it, but also those sort of 'floating voters' who just like pop music when they're young. And I think that when you get to your fourth album, those floating voters have dissipated and you're left with a core audience, and at that point you've really got to get your act together and move on to something else to keep afloat, or you'll just shrink with your core audience.
I don't mean to be overly sensitive or anything like that, but you just have to take a minute in every day, and just reflect on where you are, and just realise what you've got, because you just never know where the next huge change in your life is going to come from.
My house got flooded in Los Angeles and completely ruined it. People asked how did your house flood on the hills in LA? It was a plumbing problem that the landlord didn't fix, so everything got ruined there. It's one of those things where you take the opportunity and run with it. My producers are here and we're working on the new album here, and I was here all of the time so it made sense to spend some time here, so we'll just see what happens. It's definitely very different.
If you were the first person ever to design an application for the iPhone and you patented it, you would be very, very better off than we are right now, you know? But you've got to be the first one to do it. So I figured that Led Zeppelin or the Stones were going to do it unless we just got on to it. So I got cracking with the guys from Apple.
Just never really got into cars and flossin' or never really cared, like I was always the type of person that felt like as long as I make enough money to support my family with this music that's all I really care about. You know what I mean so I don't really buy, I'm just not into like that many material possessions and stuff like that, because at the end of the day, it's just not that important.
In the game, you've got some people who've got money, but their music is kind of off, their music is garbage. Then, you have people with good music, but they ain't got the biggest part: They ain't got the funds. But me, I'm just all the way around the board.
When I got a little older I was obsessed Lil Wayne. But then it was just as many British rappers - Dizzee Rascal I would always listen to.
It's like different moods, so whenever you in one mood, I got a song for that. And then you in a down or other type of mood where you really just wanna chill, I got that type of music, too.
Some people just seem like they are up to no good. Like, in high school, I was a good student and got straight As. It was very strict, and you couldn't do well there unless you studied very hard, but every time there was any trouble, I was the first person they would be talking to.
The first album I was given when I was quite young was the 'Whoa, Nelly!' album by Nelly Furtado. After, I also got the 'Missundaztood' album by Pink. That's when I was like, 'Oh my God, I want to be just like them!'
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