A Quote by Tinie Tempah
I'm merely a fan of fashion from high end to streetwear, from Nike to Comme des Garcons.
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It's interesting for me to sell Comme des Garcons in places it's never been sold before to people who might not have heard of Comme des Garcons.
I don't want a politician who's thinking about fashion for even one millisecond. It's the same as medical professionals. The idea of a person in a Comme des Garcons humpback dress giving me a colonoscopy is just not groovy.
Comme des Garcons is a gift to oneself, not something to appeal or to attract the opposite sex
Fashion is made up of paradoxes. There was a key moment in fashion. When the Japanese first arrived - Comme des Garçons, Yohji Yamamoto, and all - I have to humbly admit that I didn't understand the importance of it at all. It was Jean-Jacques Picart who explained it to me. They had a huge influence in that they showed that aestheticism could be different from prettiness, that there was beauty and that beauty was beyond pretty.
I love Comme des Garcons. I think everything she touches is almost like gold. And she does it so quietly. No branding.
My sister, mom and I all wear the same size, so I shop a lot at a boutique called 'my mother's closet' that is right down the hall from my bedroom. She has vintage Comme des Garcons dresses that I feel so elegant wearing.
The Dover Street Markets bring brands of all disciplines together to sell their products in an open atmosphere that, most importantly, incites creativity. They are, along with the 'Comme des Garcons' stores, usually located in areas off the beaten track.
I just like streetwear. I've always been a fan of Saint Laurent because I like how their jeans fit on me, but as far as high fashion, I don't wear too much high fashion.
I've always been a fan of Saint Laurent because I like how their jeans fit on me, but as far as high fashion, I don't wear too much high fashion. I like more streetwear and baggier stuff.
What I really liked about Stüssy was that it wasn't the usual surf-culture gear or style. I think it was really inspired by labels like Chanel and Comme des Garçons - like black shirts with a certain kind of buttons. I was very into it.
I go from streetwear to high-end fashion, to being formal and wearing suits.
In Comme des Garçons, I hardly do any sketches; there's no fittings on bodies, there's no models that come in and say, "Oh, a little bit like this." In the beginning, there isn't even a theme. It's like getting the whole world at your feet - to empty your mind of everything that's ever happened before, to get an empty space.
This is the kind of fashion I grew up on - a good pair of trainers, great denim - and I will always love high-end streetwear.
If you put the collections together, whether it's Rick Owens, Alexander Wang, or whomever, sometimes they do streetwear, but they're never called that. They're always called 'sportswear' or 'high-end' or 'luxury.' I feel like I'm tossed into that streetwear category so that I don't exist in this space.
I love Dior and Commes des Garcons, but I can't really afford them.
Cole Haan is like high fashion Nike, so you feel like you're wearing Nike shoes, but you're wearing heels. Every time I'm on a red carpet, I always either wear Cole Haan or Stuart Weitzman. You end up having to walk around all night in these heels and you want to be comfortable and not look like you're in pain. It definitely shows in pictures.
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