A Quote by Tinnu Anand

My father, Inder Raj Anand - a famous writer in his own right - was a great friend of Satyajit Ray. — © Tinnu Anand
My father, Inder Raj Anand - a famous writer in his own right - was a great friend of Satyajit Ray.
My father, Inder Raj Anand, was a well-known writer in the film industry but he did not want me, or my younger brother Bittu, to enter this industry. He would say it was not the place for us.
I was lucky to work with some of the finest filmmakers - Guru Dutt, Satyajit Ray, Vijay Anand, Raj Khosla, Asit Sen.
I have grown up watching Satyajit Ray, Hrishikesh Mukherjee, Basu Chatterjee, Ritwik Ghatak, Raj Kapoor; listening to SD Burman, RD, Kishore Kumar and Salil Chowdhury.
My major influence is Satyajit Ray; his film 'Shatranj ke Khilari' was set in Awadh and it gave us memorable characters. Ray's musical scores and soundtracks were an intrinsic part of his films. And music to me is important, too.
When my father got the letter from Satyajit Ray saying I could work with him, I had to give up 'Saat Hindustani.' So I left for Calcutta and Amitabh got the role of the poet that I was supposed to play.
Satyajit Ray has played a very major part in my career. He was the one who gave me the launch platform when he selected me for his 'Apur Sansar.'
I would have loved to work with Satyajit Ray.
I feel lucky to have worked with Satyajit Ray.
We have inherited both Rabindranath Tagore and Satyajit Ray. We love them and we respect them and we adore them, so we also have the right to critique them.
I would've done anything to work with Satyajit Ray.
Ray Bradbury is, for many reasons, the most influential writer in my life. Throughout our long friendship, Ray supplied not only his terrific stories but a grand model of what a writer could be, should be, and yet rarely is: brilliant and charming and accessible, willing to tolerate and to teach, happy to inspire but also to be inspired.
My life changed when I was introduced to Satyajit Ray. It was acting for me thereafter.
When the father dies, he writes, the son becomes his own father and his own son. He looks at is son and sees himself in the face of the boy. He imagines what the boy sees when he looks at him and finds himself becoming his own father. Inexplicably, he is moved by this. It is not just the sight of the boy that moves him, not even the thought of standing inside his father, but what he sees in the boy of his own vanished past. It is a nostalgia for his own life that he feels, perhaps, a memory of his own boyhood as a son to his father.
Although he moved away from the Midwest for good at the age of thirteen, Ray Bradbury is a prairie writer. The prairie is in his voice, and it is his moral compass. It is his years spent in Waukegan, Illinois - later rechristened by Ray as 'Green Town' in many books and stories - that forever shaped him.
Bengal has always produced good cinema, be it Satyajit Ray or Ritwik Ghatak.
I had heard a lot of stories about my father and celebrities, most of them from his own mouth. In his stories, famous women flirted with him outrageously and helplessly, and famous men sought his company, paid him deference, or took umbrage after being upstaged by him.
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