A Quote by Tino Sehgal

The nature of my work is my subjectivity meshed with other people's subjectivity. So there's a correspondence with that... Even if you write about me, it will reflect on you; everything is a kind of weird collaboration.
It does no one any good to say their novel sucks if you don't have an idea how to make it better, how to approach it from different angles and make it work. It's obviously a subjective process, right? But the thing about subjectivity, at least in the classroom, is that you're banking on your professor's subjectivity to be both personal and professional - that he or she has some sense about the world outside the workshop.
Subjectivity ceases to exist only when the mutation-like leap is made from subjectivity to objectivity, from individual existence to universal existence.
We hide so well. This is the bottom line: how hidden is male subjectivity? Name five books where male subjectivity is produced in an honest way.
Identitarianism assumes that people are condemned to identify with the positive (ethnic/ gender/ nationalistic) predicates they possess, as if their subjectivity were exhausted by those properties. Exactly the opposite is the case: the authentic dimension of subjectivity consists not in any positive identity but in that which makes identifications.
Often their rage erupts because they believe that all ways of looking that highlight difference subvert the liberal belief in a universal subjectivity (we are all just people) that they think will make racism disappear. They have a deep emotional investment in the myth of sameness even as their actions reflect the primacy of whiteness as a sign informing who they are and how they think.
What we take ourselves to be doing when we think about what is the case or how we should act is something that cannot be reconciled with a reductive naturalism, for reasons distinct from those that entail the irreducibility of consciousness. It is not merely the subjectivity of thought but its capacity to transcend subjectivity and to discover what is objectively the case that presents a problem....Thought and reasoning are correct or incorrect in virtue of something independent of the thinker's beliefs, and even independent of the community of thinkers to which he belongs. (p. 71)
I didn't want to lose my subjectivity and my objectivity about my work.
I love the novelist's freedom of going into different people's subjectivity and being able to work with them as characters.
I think subjectivity plays into everything. It's unavoidable; you couldn't avoid it if you tried. I think, potentially, a lot more commercial movies, it seems to be that the people making the films are trying to elicit the same reaction. I think a lot of the most interesting work in art and in films are often kind of polarized opinions and affect people in very different ways, which may be less successful commercially, but they elicit a dialogue that's quite interesting.
Whatever subjectivity we are going to talk about is going to be in an intersubjectivity of human beings that have a certain nature and have certain needs to be met and have to figure out how exactly to do that.
Teaching other people to write is not something I can do. The only kind of advice I can give them will be trite by its nature. Of course, read a lot, write a lot. The kind of advice I wish I had been given is all of a practical nature, having to do with publishers and agents.
Even though, there are many who describe themselves as Christian, most do not heed to God's word without subjectivity.
I enjoy singing the songs a certain way, but I don't even know how the writing even began. To me, it's work that is kind of invisible; it's a weird kind of work to have because you're not working, but it's not not work. Formulating your thoughts and making a melody that's catchy enough for people to listen to what you're saying is really hard!
Adventure games are all about details - if you happen to take this one object and use it with this other object, in a really weird place, at a weird time. If you happen to write a really funny dialogue line for that, even if it didn't solve the puzzle, people will appreciate that.
So far as photography satisfied a wish, it satisfied a wish not confined to painters, but a human wish, intensifying since the Reformation, to escape subjectivity and metaphysical isolation - a wish for power to reach this world, having for so long tried, at last hopelessly, to manifest fidelity to another... Photography overcame subjectivity in a way undreamed of by painting, one which does not so much defeat the act of painting as escape it altogether: by automatism, by removing the human agent from the act of reproduction.
I emerged in that incredible moment in the 1980s when all kinds of social questions about subjectivity and objectivity, about who was making, who was looking.
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