A Quote by Tinsel Korey

It's bluesy, rocky jazz. I call it soul music, but it's not James Brown soul music. It comes from my soul. It comes from a deeper place. Duffy has that similar old school soul sound to herself. If I opened for Duffy, that would make sense to me, in my head.
Soul music is soul music. It can be wrapped up in a neo soul package; it can be called hip-hop soul. But soul is soul, and it's been around; it will never go away.
It's like soul music, isn't it all soul music? Otherwise what is it, non-soul music? I-have-no-soul music? Soulless music? People need to put a name on something to identify it, and I understand it.
When someone is themselves through their music, it's soul music. James Taylor is soul music to me 'cause it's just him talking about him. It doesn't have anything to do with black or growing up in the church; it's where it comes from. It's just soul music.
What's good is that my music is different from everyone else's. It's got the soul element, like Duffy, but it's not very retro. It's a contemporary, pop, fresh sound. That's what makes it different.
When I was in London I found house music and techno, and I love that s - t. It's my go-to music. It's the closest for me to the old funk of James Brown and the repetitive dance music that I like from the soul music. I'd love to do a live album, like a little bit old school but still progressive, influenced maybe by more electronic music. I like everything, but I don't know anything about music. So it comes in to a lot of different ingredients.
But the soul has no culture. The soul has no nations. The soul has no colour or accent or way of life. The soul is forever. The soul is one. And when the heart has its moment of truth and sorrow, the soul can't be stilled.
When I listen to Amy Winehouse, I believe that her heart and soul is in the music, or if I listen to other British artists like Duffy or Estelle. The aesthetic of it is different, and it's my point of view. It's not anything formulaic.
I think soul is soul. I don't see new soul as any different to old soul.
Hip hop music and soul music have been the two main motivators for me musically. The music I make is hip hop soul, but I do make r&b music as well. I don't think I make r&b music to the point where I'm accurately categorized. There's more to what I have to offer and offer in the future. People could choose to respect it or not, but I pray that you do. As long as you get it, support it, and pay for it, it doesn't really matter.
There are many influences in my music, not only blues. R&B, Motown, gospel, old timey, jazz, even classical are all part of what I do. I started with classical, then country, then blues, and after that I started listening heavily to Motown and gospel. My earliest efforts as a songwriter were soul. Aretha Franklin, Curtis Mayfield, Wilson Pickett, Gladys Knight, James Brown, Otis Redding, Marvin Gaye and Fontella Bass are just a few of the names that come to mind as the God's of soul and Motown.
I always really loved soul music but all my friends were into the new romantic scene. I'd go to new romantic clubs and then go home and listen to soul music. I was sort of ashamed of listening to disco and soul music!
As I've gone into soul and soul-land, and I connect with my soul and my ego, and my life is colored by my soul - people can identify from their ego, which is who they thought they are. The soul, which is who they really are, if they choose that transfer to the soul, then you live in an ocean of love.
Music is a part of someone's soul. Music is a feeling for me. And if that soul is evil, then I don't want anything to do with it.
I find it so amazing when people tell me that electronic music has no soul. You can't blame the computer. If there's no soul in the music, it's because nobody put it there.
I always loved soul music. My dad was a very religious guy, and we would listen to a lot of gospel and soul music. My college girlfriend introduced me to musicals. She listened to them, so that was the first time I heard 'Dream Girls.'
The philosopher's soul dwells in his head, the poet's soul is in his heart; the singer's soul lingers about his throat, but the soul of the dancer abides in all her body.
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