A Quote by Tinsel Korey
Everybody is in your business, gossiping and being mean spirited. It's different. Sometimes I'm like, "Do I want to do this?," because it's not about the art anymore. It's a struggle. There's part of me that wants to share my gift, which is art, and if I don't, am I taking away something that the Creator gave me to share? At the same time, I don't want to be a part of feeding the dumbing down of society.
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When your beauty struck me, it dissolved me. Deep down, I am not different from you. I dreamed you, I wished for your existence. I see in you that part of me which is you. I surrender my sincerity because if I love you it means we share the same fantasies, we share the same madness.
Why am I sharing this part of my life when it opens me up to judgment? But part of me wants to share that part of my life because I think non-monogamy is a normal thing for human beings to want.
As I listen to the silence, I learn that my feelings about art and my feelings about the Creator of the Universe are inseparable. To try to talk about art and about Christianity is for me one and the same thing, and it means attempting to share the meaning of my life, what gives it, for me, its tragedy and its glory.
My fear of life is necessary to me, as is my illness. Without anxiety and illness, I am a ship without a rudder. My art is grounded in reflections over being different from others. My sufferings are part of my self and my art. They are indistinguishable from me, and their destruction would destroy my art. I want to keep those sufferings
God gave me an opportunity, this is my platform for me to reach people.I tell everybody like my mother told me, it's not what I make, it's what I share. That's why I'm still here because I share a lot.
Part of me would just like to relax and have one job that pays me the amount I need to survive. And another part of me wants the creativity that comes out of struggle and frustration and fear. It's a never-ending cycle, which must be how I want it, on some level.
People act like art is a white thing - or not for people of colour - when, really, so much culture and art comes from people of colour. I want everyone to get into what I am doing. So sometimes I don't like to work just in an art context because it feels like a lot of people aren't going to see it. I like it to be a part of everyday life.
We are here for a reason. We all have a gift or gifts to share. You want to look inside your heart and your soul, and you want to tap into the one thing you love to do. Develop it. Share it. Nurture it. You were meant to have that gift.
I think a lot of people are involved in art because of the fashion of art and the conversation. It gives them a certain sophistication, something to speak about. But art is, if it's conceptual, really about understanding the concept. And if it's beautiful, it's about seeing the beauty. It's gone much further than that now. There's too much commercialism attached to art. If the market cracks one day big-time, you'll frighten so many people away who will never come back. Because they don't really feel for art. People who buy art should want it because they love it, they want to enjoy it.
Making clothes that everybody can wear is also something that stimulates me a lot, because I have this edgy, fashion-y part, but I am also totally involved with a brand that is about how people dress, and what they want. And it's a whole other look you can have on the street. It's exciting because it speaks to the other part of my job and what my passion is. A designer wants to make something useful for as many people as possible.
I like to talk about very different topics. I like to jump around a lot because I don't want people to come see me and then for an hour I tell jokes about being a little person. I just don't want that to happen. I understand that it's part of me, that's the first thing that you notice and it's something that people are curious about.
I think that a lot of artists have succeeded in making what I might call "curator's art." Everybody's being accepted, and I always want to say, "Really? That's what you've come for? To make art that looks a lot like somebody else's art?" If I am thinking of somebody else's art in front of your art, that's a problem.
Share your weaknesses. Share your hard moments. Share your real side. It'll either scare away every fake person in your life or it will inspire them to finally let go of that mirage called "perfection," which will open the doors to the most important relationships you'll ever be a part of.
What can I do but bring forth the talent that God gave me? That's all I wanted to do. To share the love and gift of entertainment. That's all I want to do. I don't want to hurt anybody.
We tend to have mixed feelings about the holy. There is a sense in which we are at the same time attracted to it and repulsed by it. Something draws us toward it, while at the same time we want to run away from it. We can’t seem to decide which way we want it. Part of us yearns for the holy, while part of us despises it. We can’t live with it, and we can’t live without it.
No one else can want for me. No one can substitute his act of will for mine. It does sometimes happen that someone very much wants me to want what he wants. This is the moment when the impassable frontier between him and me, which is drawn by free will, becomes most obvious. I may not want that which he wants me to want - and in this precisely I am incommunicabilis. I am, and I must be, independent in my actions. All human relationships are posited on this fact.
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