A Quote by Tinsley Mortimer
It's funny, when you speak with 'New York' you never know which way they are going to go. They sorta walk that middle road where you don't know if your interview is going to go good or bad.
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I'm going to talk to her." "And how's that going to go? You're just going to walk up to her and say, 'Hey, I know you've never seen me before, but I'm your dad. Oh, and guess what? You've won the evolutionary lottery: You're a vampire. Let's go to Disneyland!
I made multiple leaps where there were no guarantees that I was going to be successful. By the way, I was not always successful. But I think if you go into something new with an open mind, and you let people around you know what you don't know, for the most part they're going to link arms with you. So you can't plan a career so closely that you never make a move unless you know that it's going to work. There's always going to be risk involved in change.
I never know what I'm going to wear until five minutes before I go somewhere... I guess I know what I'm comfortable in. I don't know how to describe that, I mean you either put it on and go 'no way' or 'OK, let's go.'
The direction Eun Gi is trying to go, I don't know. How you're going to go that way. What you're trying to do going that way. I don't know. With what thoughts... With what mind she is taking that way... Even if I ask, Eun Gi won't answer. The only thing I know, is that, I, next to Eun Gi who is going that way, it could be that I can't go that way with her together.
You know, we never really know what we're going to write next. Which is part of the excitement when we go in and do a new album. No battle plan, we just go in and do it and what comes out, comes out.
If Trump were a boxer, he'd be Muhammad Ali. Because he's going to win. He's going to run his mouth, he's going to talk a lot and he's going to win. And you ain't going to know which way he's going. You had the Louisville Lip, he'd be the New York Lip!
I know that I'm going out there, and I know that I am going to get hit in the head. I know that's part of football. That's like a firefighter knowing he is going to go into a fire at some point. You know you are going to be put in danger's way, and you accept that risk, and you do it.
I walk into office, which is the casting office for CBS in New York. Mainly what they cast out of this office was the CBS daytime shows. I go in and walk into this room which every seat is filled with young African-American boys and girls and they were in their teens. I went, "I'm in the wrong place. Why am I here? What's going on?"So I go in and meet Norman [Lear].
I'm afraid of sudden death. I'd like to know I'm going to die. That's why death row wouldn't be so bad, although it's not pleasant. And cancer, inoperable, wouldn't be bad. That's not pleasant either. But to drop dead suddenly, it's hard on everybody else. My family, my relatives, my friends. It's just not a good way to go. I want to know I'm going to die.
I've found is that by doing stand-up, I've actually learned how to combat depression. I don't have clinical, but I've definitely had my bouts with it. I just figured out that it's a choice. You're in control of your brain. When your brain is sending you bad information or bad thoughts, you can decide to go to the gym, or write a new joke - or if you're on the road, go to a ball game... something that's going to get the blood going. Or you can let those thoughts take you right down the rabbit hole.
One of the great thing about New York is the neighborhood - you go for your walk in the morning and you know your dry cleaning lady, you know the guy in your coffee shop - that's your neighborhood and I love that.
And it's best if you know a good thing is going to happen, like an eclipse or getting a microscope for Christmas. And it's bad if you know a bad thing is going to happen, like having a filling or going to France. But I think it is worst if you don't know whether it is a good thing or a bad thing which is going to happen.
You never know what's going to happen, so I get up at 6 a.m. every morning. It's a new wakeup call for me, for sure. But you just want to be polished. That way, if anything happens, I'm ready to go. I'm not going to sit in a makeup chair for an hour and be like, "Then I'll go get the story."
The joy of a road movie is its very simple narrative nature, which is that you know you're going to go through different places and you're going to meet new people. At the same time, you have to not make it feel too obvious and too crudely episodic.
A fellow must know where he wants to go, if he is going to get anywhere. It is so easy just to drift along. Some people go through school as if they thought they were doing their families a favor. On a job, they work along in a humdrum way, interested only in their salary check. They don't have a goal. When anyone crosses them up, they take their marbles and walk out. The people who go places and do things make the most of every situation. They are ready for the next thing that comes along on the road to their goal. They know what they want and are willing to go an extra mile.
The way I write is very much without kind of a goal. I have something I'm interested in and then I decide I'm going to explore it. I don't know where the characters are going to go, I don't know what the movie is going to do or what the screenplay is going to do. For me, that's the way to keep it alive.
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