A Quote by Tippi Hedren

So I think it is common knowledge that Hitchcock had fantasies or whatever you want to call them about his leading ladies. — © Tippi Hedren
So I think it is common knowledge that Hitchcock had fantasies or whatever you want to call them about his leading ladies.
There is something about my aura or essence, or whatever, that draws the ex-wife characters to me. I don't seek them out, but people tend to think of me for that particular archetype, or whatever you want to call it, and I don't mind it. I think there is a strength to it.
I don't think I deviated from what I'm all about and what I thought was important. Whether you want to call that a legacy, or whatever you want to call it.
I stayed on the track I wanted to stay on. I don’t think I deviated from what I’m all about and what I thought was important. Whether you want to call that a legacy, or whatever you want to call it.
We must admit that it is quite common that people do have affairs with their leading ladies and men.
The quote-unquote 'description' of a leading man was once your tall, handsome man with the build of whatever, almost a trophy to some degree. I think now it's about making a leading man what you want a leading man to be. In this day, you can't deny talent. You look at Jonah Hill, you look at Zach Galifianakis, you look at myself.
It is common knowledge that smoking is considered one of the nation's leading causes of preventable death, but it's less widely known that cigarettes are also the leading cause of fatal fires.
Even Hitchcock liked to think of himself as a puppeteer who was manipulating the strings of his audience and making them jump. He liked to think he had that kind of control.
I also think the relationship I have with my audience is a lot more complex than what Hitchcock seemed to want his to be - although I think he had more going on under the surface as well.
...Every single one of us goes through life depending on and bound by our individual knowledge and awareness. And we call it reality. However, both knowledge and awareness are equivocal. One's reality might be another's illusion. We all live inside our own fantasies, don't you think?
When in company with literary women, make no allusions to 'learned ladies,' or 'blue stockings,' or express surprise that they should have any knowledge of housewifery, or needle-work, or dress; or that they are able to talk on 'common things.' It is rude and foolish and shows that you really know nothing about them, either as a class or as individuals.
The thing about Hitchcock which is quite extraordinary for a director of that time, he had a very strong sense of his own image and publicizing himself. Just a very strong sense of himself as the character of Hitchcock.
People's fantasies are what give them problems. If you didn't have fantasies you wouldn't have problems because you'd just take whatever was there.
The prosthetics were interesting because the artist was so good that they could just put a Hitchcock mask on me, but you don't want to do that. You're an actor playing Hitchcock, so it's about how much of that you're going to do.
Now I wonder what our knowledge has in common with God's knowledge according to those who treat God's knowledge... Is there anything else common to both besides the mere name? ...there is an essential distinction between His knowledge and ours, like the distinction between the substance of the heavens and that of the earth.
He was so far from the gallant knights in her romantic fantasies ... He was tarnished, scarred, imperfect. Deliberately he had destroyed any illusions she might have had about him, exposing his mysterious past for the ugly horror that it was. His purpose had been to drive her away. But instead she felt closer to him, as if the truth had bonded them in a new intimacy.
I think every filmmaker wants... I don't know about every filmmaker. I certainly want my films to just exist. I want them to be judged for what they are and analyzed, accepted, criticized, whatever you want to call it, on their own terms, not as part of some mall-cop genre.
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