A Quote by Tisha Campbell-Martin

I figure out who I'm playing opposite, and I really do study them. — © Tisha Campbell-Martin
I figure out who I'm playing opposite, and I really do study them.
All those experiences were a chance to learn more about music. Playing with the Valley band is like such a "live" band. I mean, really, in many ways Bright Eyes is really a studio project. We form bands to tour, but it really is - you know, we take the songs and we figure out how to decorate them and it's all in the studio, we build the songs that way. Whereas Mystic Valley Band was the exact opposite, where everybody knows what they are gonna be playing on the song and there's sort of a general stylistic approach, and then it's just plug in and play.
Most coaches study the films when they lose. I study them when we win -to see if I can figure out what I did right
I think it's just so important that parents actually really study the apps on the phones and figure out what's going on.
These guys who keep on playing but aren't winning, you've got to sit them down and let them figure it out and perform a little gut-check on themselves.
For me, it's very important if I do action movies and I have a stunt person, to work with them. Not only by memorizing the choreography but also it's important to study that individual and it's imperative for that individual to study you because you're not playing two different people, you're playing the same person.
It's really hard to figure out what they need to know. And that's parenting, in general. It's hard to figure out what would benefit your kids and what would just make them needlessly frightened.
To a certain extent everybody has a certain sort of way of being a persona that they learn how to be when they're really little. They figure out that if they're really funny, or really pretty, or if they work really, really hard or are really smart, then that's what's going to get them by. That is what is going to make people like them.
Fighters used to be afraid of the Russians, Cubans but then I'd figure them out and figure out how to beat them.
These guys are playing checkers. I'm out here playing chess. When they figure it out, it's too late.
When I play a good guy, I try to explore them and figure out what shapes them and makes them interesting. When I'm playing a bad guy, I try to explore everything that makes them good. No one ever really thinks that they're a bad guy.
Ranger removed my goggles "Would you like to come home with me?" I stepped away from him. "Thank you for the offer, but no. I'm done with men." Ranger smiled. "Forever?" "Until I figure some things out." "And if you don't figure them out?" "If I can't figure them out on my own, I'll ask you to help me." "Babe, that's like the blind leading the blind.
In this day and age, when there are so many people creating work online and writing their own shows, I wouldn't tell another actor, 'If you can do anything else go do that.' I would tell them to figure out the story they want to tell, to figure out what artists inspire you and why, and then figure out a way you can create that for yourself.
In many ways, acting is really like a science to me to figure out the human behavior of any character that I'm playing.
We get so swept up in sort of what the media tells us to care about and all these other influences that we really have to dig down deep and figure out what is it that we as human beings really care about and want for ourselves. When you figure that out, you see who you really are.
The level of study that I was at, I was probably only about two or three years away from being ordained as a rabbi, so I really needed to figure out in my head where I wanted to go with things. And I just couldn't do it habitually anymore.
I mean, part of the justification for art is art history, the fact that you're part of this tradition. You can't really operate outside of it. So looking for what this work is really about, if I look at Velázquez, if I look at Las Meninas or The Tapestry Weavers [1657] or something and really study it and try to figure out what that painting is really about, then I find relationships between what I'm trying to do and what he was doing.
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