A Quote by Tite Kubo

The fact that Gene Simmon's son is a manga-ka disturbs me more than whether he's really copying or not. — © Tite Kubo
The fact that Gene Simmon's son is a manga-ka disturbs me more than whether he's really copying or not.
Manga is virtual. Manga is sentiment. Manga is resistance. Manga is bizarre. Manga is pathos. Manga is destruction. Manga is arrogance. Manga is love. Manga is kitsch. Manga is sense of wonder. Manga is … there is no conclusion yet.
Between last night and this morning, I've been getting a lot of messages from overseas fans along the lines of 'There's an American comic ripping off Bleach!' I'm not that good at English, but I looked at the site and it seems it's a comic by Nick Simmons, the son of Gene Simmons. To be honest, I'm more bothered by the fact that Gene Simmons' son is a comic artist than whether or not it's a rip-off.
If I want to draw more in a particular scene that I think is important, because of time I cannot. That's hard for me. But I've always wanted to be a manga-ka, so I'm doing what I love.
I've always wanted to be a manga-ka, so I'm doing what I love.
I've never heard Donald Trump say that he watches 'House of Cards,' but I'd be really shocked if he didn't because he appears to be copying Frank more than we're copying the current administration.
In Japan there is a lot of manga, but around manga there are video games, manga on cellphones, manga in card games... so people not only enjoy manga but also the products around it.
More than my films being influenced by manga I was indelibly impressed by Manga, and that definitely comes out in the films.
The thing is that I don't normally think in terms of manga when I'm writing. Sounds odd from someone who has is getting a reputation for doing manga related work. But I would say that my scripts are NOT manga at the stage of my writing process, they are just comic book stories in a more general sense.
The hardest thing about being a manga-ka is that it's a weekly thing.
Contemporary art and manga - what is the same about them? Nothing, right? The manga industry has a lot of talented people, but contemporary art works on more of a solitary model. No one embarks on collaboration in contemporary art in order to make money. But in the manga world, everyone is invested in collaboration. The most important point is that the manga industry constantly encourages new creations and creators.
My generation was a special generation. I was born in 1960 and in my childhood we were all big manga consumers that was the culture. We were brought up in manga. Manga evolved around what was being made to cater to kids. All children at that time read ridiculously thick manga books every week.
As a child, because manga was always around and I was reading it, I naturally thought, 'Hey, I'd like to draw manga - I'd like to be a manga author!'
As a child, because manga was always around and I was reading it, I naturally thought, "Hey, I'd like to draw manga - I'd like to be a manga author!"
Bad music disturbs me, but wonderful music disturbs me even more.
Nothing disturbs me more than the glorification of stupidity.
In my early days, I copied the great French chefs, like most chefs do. Copying is not bad. Copying and not recognizing that you are copying is bad. For me, when I go to a restaurant and am served a dish influenced by something we created at elBulli, if it's well done, it makes me extremely happy.
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