A Quote by Tite Kubo

All the important drawings I do myself. Every single character is also done by me. — © Tite Kubo
All the important drawings I do myself. Every single character is also done by me.
I have three assistants, but there isn't a head assistant. All the important drawings I do myself. Every single character is also done by me.
Every job I've done so far, every character has been completely different, and that's really important to me because I don't want to fall into a stereotypical box. Of course, every actor has their box, and you have to respect and play for it, but I do love challenging myself.
I put every ounce of myself into my work, but also it's important that I don't miss every single wedding of my best friends.
The novels have done so well because the drawings are abstract, black-and-white. This adds to the universality of the story. "Persepolis" also has dreamlike moments, and the drawings help maintain cohesion and consistency.
I'm keen to have balance, as much as possible. I put every ounce of myself into my work, but also it's important that I don't miss every single wedding of my best friends. I couldn't do what I do without my friends and family.
Every single character and every single person in real life can all be 16 or 17 years old and maybe live in the same town and go to the same school, but every single girl is experiencing and living a different life. I think that, on the outside, it may seem like there's a lot of similarities, but there's also a lot of differences as well.
I think it's very important for me to work on myself while I'm working on a character, and also it's important how I'm giving to and educating an audience. So I tend to go with people who are complex and substantive.
I like the drawings. And as a photography fan myself, I would look at Helmut Newton or Irving Penn and like to see the initial notes or drawings, to see where the ideas grew from. Also my sketches are key to my work because I came to realise early on that by doing drawings, I could formulate a plan of what I was thinking of - I could take control and direct the work.
Every single experience, every single thing that's happened in my life, struggle, obstacle, trials and tribulations, I think they've all molded me to become the character and the person who I am.
Every single film I've done, it's about the character.
Enjoying myself is something very important for me because that is why I play when all is said and done. And it also allows me to have an engine.
In every single job, in every single business, in every single profession - in whatever you do - there can be the satisfaction and the happiness that comes from knowing that what you do is important, that what you do makes a difference in the lives of the people you serve.
I want to be challenged. Every job I've done so far, every character has been completely different and that's really important to me because I don't want to fall into a stereotypical box.
I wish, mainly, that I could have a job and work all the time and also not have to leave my kids. If there was a way to clone myself and be at every parent-teacher meeting and be there to put my kids to bed every single night and also star on Broadway, that's what I would do.
I'm a representative of something that's greater than myself. When you see me out there on the track, I'm not just representing myself or my country, I'm representing Christ and what He's done through me. I have a responsibility to show His love and show others what He's done for me. It's also freed me up.
I have made it a rule for a long time, not to part with the copyright of my drawings, for I have been so copied, my drawings reproduced and sold for advertisements and done in ways I hate.
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