A Quote by Tite Kubo

I've always wanted to be a manga-ka, so I'm doing what I love. — © Tite Kubo
I've always wanted to be a manga-ka, so I'm doing what I love.

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If I want to draw more in a particular scene that I think is important, because of time I cannot. That's hard for me. But I've always wanted to be a manga-ka, so I'm doing what I love.
Manga is virtual. Manga is sentiment. Manga is resistance. Manga is bizarre. Manga is pathos. Manga is destruction. Manga is arrogance. Manga is love. Manga is kitsch. Manga is sense of wonder. Manga is … there is no conclusion yet.
In Japan there is a lot of manga, but around manga there are video games, manga on cellphones, manga in card games... so people not only enjoy manga but also the products around it.
As a child, because manga was always around and I was reading it, I naturally thought, 'Hey, I'd like to draw manga - I'd like to be a manga author!'
As a child, because manga was always around and I was reading it, I naturally thought, "Hey, I'd like to draw manga - I'd like to be a manga author!"
The thing is that I don't normally think in terms of manga when I'm writing. Sounds odd from someone who has is getting a reputation for doing manga related work. But I would say that my scripts are NOT manga at the stage of my writing process, they are just comic book stories in a more general sense.
The fact that Gene Simmon's son is a manga-ka disturbs me more than whether he's really copying or not.
I think that nationality has no relation to that which gives rise to manga. Even among the Japanese, manga creators are making their creations everyday reflecting their own individuality, with none being the same. What is important isn't the differences between the creators but their love for manga.
The hardest thing about being a manga-ka is that it's a weekly thing.
My generation was a special generation. I was born in 1960 and in my childhood we were all big manga consumers that was the culture. We were brought up in manga. Manga evolved around what was being made to cater to kids. All children at that time read ridiculously thick manga books every week.
I've been a fan of Yoshida Akimi's manga for a long time; she's one of a few women's manga writers that I always read.
I have 32 sweet teeth. I love everything from chocolates of all kinds to panna cotta to Khubhani ka Meetha and Double ka Meetha.
Contemporary art and manga - what is the same about them? Nothing, right? The manga industry has a lot of talented people, but contemporary art works on more of a solitary model. No one embarks on collaboration in contemporary art in order to make money. But in the manga world, everyone is invested in collaboration. The most important point is that the manga industry constantly encourages new creations and creators.
I've been immersed in manga since I was a kid. I grew up with this culture. So I started to think about how to compare manga to contemporary art.
I always wanted to be a comedic actor - that's what I wanted from the job - to do comedy and to create my own comedy. But I still love doing stand-up and will probably be doing it forever. I'd love to be an old guy who can't really walk, can't really stand-up, and I have to sit on the stool and tell jokes.
I had a blast doing it. I mean, I love, love, love my work as a voice over actress and I've been doing it for 15 years, but I've trained as a singer and I am a singer and this is what I've always wanted to do. To get the opportunity to marry these two things that I love so much, it's been a dream, without a doubt. I'm sort of pinching myself still.
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