A Quote by Titus Welliver

I think good actors are born with a kind of native gift. When you study too much with an acting teacher, that gets taken away. You lose your sense of spontaneity. — © Titus Welliver
I think good actors are born with a kind of native gift. When you study too much with an acting teacher, that gets taken away. You lose your sense of spontaneity.
Individuality is vitally important. When people start to lose their individuality is when I believe they start to lose themselves. I think children are born with this message, and it shouldn't be taken away from them. I hope they walk away with it after seeing the film, and adults too. And I notice it also with myself, because the older I get, the more I embrace my own idiosyncrasies.
I hate a song that makes you think that you are not any good. I hate a song that makes you think that you are just born to lose. Bound to lose. No good to nobody. No good for nothing. Because you are too old or too young or too fat or too slim too ugly or too this or too that.
Men lose their birthrights for a mess of pottage only if they stop using the gifts given them by God for their betterment. By prayer. That is the first and greatest gift. Use the gift of prayer. Ask for strength of mind, and a clear vision. Then sense. Use your sense. … Think long and well. By prayer and good thought you will conquer all enemies.
There are very few joys in life greater than spontaneity. Spontaneity means to be in the moment; it means acting out of your awareness, not acting according to your old conditionings.
You can throw away the privilege of acting, but that would be such a shame. The tribe has elected you to tell its story. You are the shaman/healer, that's what the storyteller is, and I think it's important for actors to appreciate that. Too often actors think it's all about them, when in reality it's all about the audience being able to recognize themselves in you. The more you pull away from the public, the less power you have on screen.
We have so much access to one another through technology and everything else, that we're very much used to people being real. When folks go on TV and they're basically acting - if they were good actors they'd be acting and paid for it for a living, but they're not good actors. When we see bad acting, it doesn't look like bad acting, it looks weird, and we are turned off by it. I'm not talking about anybody in particular, that's just politics right now. This generation, I feel like, has incredible bullshit detectors.
There is something in this native land business and you cannot get away from it, in peace time you do not seem to notice it much particularly when you live in foreign parts but when there is a war and you are all alone and completely cut off from knowing about your country well then there it is, your native land is your native land, it certainly is.
You can see in my paintings, I've taken away the context, I've taken away the shadows, I've taken away expression, I've taken away the personal, and yet so much remains!
I trained at the Lee Strasberg Institute at Tisch, which is a huge foundation for young actors. They teach you their methods and give you the sense that acting is much more tangible than most people think. I think there's a mysticism of what acting is, in the fact that it's this ungraspable, spur-of-the-moment thing that nobody can understand.
A good writer - and I think it's this way with actors too - even if you have two lines, you have to do the same complete work as if you're number one on the call sheet. If you get in an elevator and somebody gets on, rides two floors and gets off, that person has a reality that goes back to when they were born. They have memories, they have people, they have a life. They are doing something right now that the camera is on them in their space. We live in our own close-up all the time.
Just by the nature of what we do it kind of gets you out of the regularities of life. Playing pretend for a living is a good way to have a release and playing make believe is a good way of getting away from it and doing things like this. So I think work gets me away from life.
Some people are born ugly. It's not their fault, and I for one have never held it against a man that he is ugly. but others and I count myself among them are born with handsome features. That's a gift that should not be lightly taken away.
A picture is what it is and I've never noticed that it helps to talk about them, or answer specific questions about them, much less volunteer information in words. It wouldn't make any sense to explain them. Kind of diminishes them. People always want to know when something was taken, where it was taken, and, God knows, why it was taken. It gets really ridiculous. I mean, they're right there, whatever they are.
I still think acting is something that you're born with and I think the greatest actors today, they don't need training, it comes naturally to them. It's like being a naturally good singer... I don't think that's me at all.
The purpose of studying Buddhism is not to study Buddhism, but to study ourselves. That is why we have teaching. But the teaching is not ourselves. It is some explanation of ourselves. To study the teaching is to know yourselves. That is why we do not ever attach to the teaching, or to the teacher. The moment you meet a teacher you should leave the teacher, and you should be independent. You want a teacher so that you can be independent. So you study yourselves. You have the teacher for yourselves, not for the teacher.
My education was a huge influence. I trained at the Lee Strasberg Institute at Tisch, which is a huge foundation for young actors. They teach you their methods, and give you the sense that acting is much more tangible than most people think. I think there's a mysticism of what acting is, in the fact that it's this ungraspable, spur-of-the-moment thing that nobody can understand.
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