A Quote by Tituss Burgess

I'm writing a musical. I am. I was able to buy the rights to 'The Preacher's Wife,' which starred Whitney Houston... I'm writing a whole new score and all the lyrics for it.
When I'm writing a score, I'm constantly looking for ways to improve on it, even when I think it's working well. I don't give up on things, and am always trying to make incremental improvements, which means I never finish writing a score early!
From her gospel-singing mother Cissy Houston, her legendary pop-diva cousin Dionne Warwick, and her Queen of Soul godmother Aretha Franklin, she [Whitney Houston] inherited gifts for skillfully interpreting lyrics and endowing them with new depth and jeweled nuance.
It's funny, I write lyrics in a bizarre way - I'm always writing lyrics, mostly when we're traveling or walking around New York, that's when I'm writing most of the stuff.
I hate writing. I so intensely hate writing - I cannot tell you how much. The moment I am at the end of one project I have the idea that I didn't really succeed in telling what I wanted to tell, that I need a new project - it's an absolute nightmare. But my whole economy of writing is in fact based on an obsessional ritual to avoid the actual act of writing.
I've been singing love songs since I was a toddler, I was singing Whitney Houston, Mariah Carey and even Alicia Keys song, that helped my writing so much.
I am less selfish. But I am more insistent on being part of the creative experience. I find I am a better mother, lover and wife when I am writing. When my daughter was small I wasn't writing as much and I didn't miss it.
I want to be able to sing like Whitney Houston did.
What if Whitney was at her top, and we brought in a name like Whitney Houston, it would sell.
Planning to write is not writing. Outlining, researching, talking to people about what you're doing - none of that is writing. Writing is writing. Writing is like driving at night in the fog. You can only see as far as your headlights, but you can make the whole trip that way.
Whitney Houston and Ella Fitzgerald are my musical mothers. I learned everything I know about true R&B, pop and jazz singing from these stunning performers and unparalleled musicians.
I don't look at it as writing a book in a videogame universe. I look at it as writing for 'Halo', which for me, transcends being just a great video game. It's evolving into a whole new mythology.
A distinction must be made between that writing which enables us to hold on to life even as we are clinging to old hurts and wounds and that writing which offers to us a space where we are able to confront reality in such a way that we live more fully. Such writing is not an anchor that we mistakenly cling to so as not to drown. It is writing that truly rescues, that enables us to reach the shore, to recover.
My forte is playing along and singing along to music I love. I mean, who knows, maybe I could develop that knack or develop that ability to write, and I do actually co-write with people and friends, which is fun, too, because then I don't have to worry about writing lyrics, because for me writing lyrics is impossible.
We've had musical stuff in the show [South Park] forever. That's mostly because Trey's a big musical fan, and he's a great songwriter. He's been writing songs his whole life. So since the beginning, we've always put a lot of musical moments.
I moved to New York in the 1970s and started writing when I was at the Whitney Museum Independent Study Program.
I haven't thought about writing so much as potentially producing and finding my own projects to get into production. I want to be able to buy the rights to a story that I have read or a book that I have read.
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