A Quote by Tituss Burgess
'Penny Dreadful' is so realistic. The tonality is so earthy and so real that I actually believe it is in the realm of possibility for all these extra species to exist among us.
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Here’s what I know about the realm of possibility— it is always expanding, it is never what you think it is. Everything around us was once deemed impossible. From the airplane overhead to the phones in our pockets to the choir girl putting her arm around the metalhead. As hard as it is for us to see sometimes, we all exist within the realm of possibility. Most of the limits are of our own world’s devising. And yet, every day we each do so many things that were once impossible to us.
Generally speaking, followers will not commit themselves for very long to a leader who is not also a pragmatist. As most of us have discovered, dreams are only powerful when we believe they can come true. Pipe dreams belong in the realm of fantasy; leaders' dreams belong in the realm of possibility.
I think the origin of all this clamour for tonality is not so much the need to sense a relationship to the tonic, as a need for familiar chords: let us be frank and say "for the triad"; and I believe I have good reason to say that just so long as a certain kind of music contains enough such triads, it causes no offence, even if in other ways it most violently clashes with the sacred laws of tonality.
When we try in good faith to believe in materialism, in the exclusive reality of the physical, we are asking our selves to step aside; we are disavowing the very realm where we exist and where all things precious are kept - the realm of emotion and conscience, of memory and intention and sensation.
People ache to believe that we human beings are vastly different from all other species - and they are right! We are different. We are the only species that has an extra medium of design preservation and design communication: culture.
We are a dreadful species indeed, and deserve whatever it is our techno-baubles do to us.
It is better to believe than to disbelieve; in doing you bring everything to the realm of possibility.
The web of time - the strands of which approach one another, bifurcate, intersect, or ignore each other through the centuries - embraces "every" possibility. We do not exist in most of them. In some you exist and not I, while in others I do, and you do not, and in yet others both of us exist.
I think it's realistic to have hope. One can be a perverse idealist and say the easiest thing: 'I despair. The world's no good.' That's a perverse idealist. It's practical to hope, because the hope is for us to survive as a human species. That's very realistic.
In a fragile environment, we need to be aware of ourselves as members of a uniquely powerful species living among other species who are quite as interesting as we are but vulnerable to us because we are cleverer in more destructive ways.
A penny will not buy a penny postcard or a penny whistle or a single piece of penny candy. It will not even, if you're managing the U.S. Mint, buy a penny.
I pay whatever tax I am required to pay under the law, not a penny more, not a penny less... if anybody in this country doesn't minimize their tax they want their heads read because as a government I can tell you you're not spending it that well that we should be donating extra.
If your values are not related to the Earth or realistic, you'll believe in things that aren't so, which will hurt you in the long run, and as a species, too.
I find it difficult to believe that I belong to such an idiotic, rotten species - the species that actually boasts of its freedom of will, heroism on command, senseless violence, and all of the loathsome nonsense that goes by the name of patriotism.
As soon as you judge communication a little more rigorously, there is a possibility that the message will not be democratized. I have to say what I believe to be right. I have to spread out the statement among all the means of expression available to us at present.
I think I can sing, but that does not mean I can actually sing. I fear that I'm like one of those 'American Idol' contestants who truly believe they are good and are actually dreadful.
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