A Quote by Tituss Burgess
The first role that I got on Broadway was supposedly for a white man. But I had some producers who fought for me and allowed me to come in.
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I think typically you'd start in a supporting role or an ensemble role, or maybe even an off-Broadway role. So to come into a lead role on Broadway, especially taking over a role that has been played by two phenomenal actors in the past, that is some large shoes to fill.
When I got a call from Hansal Mehta, the CEO of White Feathers, asking me to come for one of their films, I was very happy. I thought they'd have an interesting role for me. But when I got to know they just wanted me to stand in for Sanjay Dutt for some scenes, I decided to give this offer the pass.
When I was prepping for my Broadway debut as Romeo, it really hit me that I had never done that. I had trained at drama school for three years in my late teens to early 20s, and I'd studied Shakespeare, of course, but I hadn't actually performed it. So to do something like Romeo for my first Broadway role was a challenge.
In 2005, I played Count Fosco in 'The Woman In White' on Broadway. It was a disaster. I was physically run down and terribly homesick and I just knew I had to leave. I lasted three months before the producers released me.
The producers had seen "In a World..." and that's where they found me out and consequently sought me out for this role [in Man up].
For me, I always had producers come to me with films, even if it was not like the Khans, but whatever I have got I have tried to give my best to it.
My first job was on Broadway. Then I went into the Navy. When I came out of the Navy, I went back to Broadway and a friend of mine, Lauren Bacall, was in Hollywood filming with Humphrey Bogart. She told one of her producers I was great in my play, and he saw it and cast me in 'The Strange Love of Martha Ivers'.
'Bonnie and Clyde' was the first show and the first role that I got to originate. Being part of that from the ground up and investing three years of my life into seeing that show come to Broadway was really rigorous but also so exciting.
Bonnie and Clyde was the first show and the first role that I got to originate. Being part of that from the ground up and investing three years of my life into seeing that show come to Broadway was really rigorous but also so exciting.
I am a red man. If the Great Spirit had desired me to be a white man he would have made me so in the first place.
Although wrongs have been done to me, I live in hopes. I have not got two hearts....Now we are together again to make peace. My shame is as big as the earth, although I will do what my friends have advised me to do. I once thought that I was the only man that persevered to be the friend of the white man, but since they have come and cleaned out our lodges, horses and everything else, it is hard for me to believe the white men any more.
I just got on Twitter because there was some MTV film blog that quoted me on something really innocuous that I supposedly said on Twitter before I was even on Twitter. So then I had to get on Twitter to say: 'This is me. I'm on Twitter. If there's somebody else saying that they're me on Twitter, they're not.'
I think I am the first person of color to direct a major white play on Broadway. In 1993? That's astounding to me. And horrifying to me.
Going from the top 'heel' in the industry, taking some time away to heal my neck and allow the people to miss me and understand what it was they had with me and just how special I am, allowed me to come back.
If the Great Spirit had desired me to be a white man, he would have made me so in the first place.
The blessings wrestling has given me have allowed me to find some new passions, but it's really hard when you've got that first love, and nothing really replaces it.
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