A Quote by Tituss Burgess

Often times, if you're a bit of a crossover artist, audiences see you as only one thing. — © Tituss Burgess
Often times, if you're a bit of a crossover artist, audiences see you as only one thing.
I've enjoyed appearing in Atlantic City. East Coast audiences are a bit brighter than Las Vegas audiences. I think most entertainers will tell you the same thing. The East Coast audiences are more perceptive - especially when it comes to a performer with a theatrical background.
I never tried to crossover or be in the public's eye everyday. I'm laid back with it and at times I wondered if I was doing the right thing promoting myself staying back a little bit and coming out when I felt that I had too. But when I get all the accolades and hear the things people say it just puts it all together for me man. It's a blessing.
You learn quite a bit about your film from test screening audiences. With both comedies and movies that are intense, you need to calibrate the film and see how audiences react.
It's always nice for the judges and the audiences to have something a bit different so they don't always see and hear the same thing.
There's traditionally been a large disconnection in contemporary art between the audience and the artist. Generally, audiences are looking towards what they like, and I can tell you, that's the last thing on an artist's mind.
I think you have a crossover when you are known to a wider audience and a different market. I've been able to sell out stadiums all over the world by doing my music. I'm lucky to be in that list without having done an official crossover. Now, will you hear me doing a little bit of R&B? Sure.
It's a terrible thing to make films that are never seen or experienced by audiences. Often times nobody knows about them, even though they are great films. They are not promoted and that's really sad.
I feel like, as an artist and a songwriter, I have to reach certain audiences and give people a little bit of everything.
An artist, if he is truly an artist, is only interested in one thing and that is to wake up the minds of men, to have mankind and womankind realize that there is something greater than what we see on the surface.
The beautiful thing about it is that 'Despacito' is not really an English crossover. It was just another song that the world made a crossover. I didn't really push it; it just kinda went there.
Musicians are affected by the audience just as much as audiences are affected by the musicians. The only problem is that often times musicians won't allow themselves to admit to that fact.
I wouldn't call myself at all as a crossover artist - I kind of hate that word - but in a way, you need to see me like that, because I'm working in classical music, I'm doing these other projects, and I'm having a rock career at the same time.
British audiences are toughest on British films. So often, a British film is the last thing they want to see. If you please them, you really know you've made an impact.
The only thing that the artist cannot see is the obvious. The only thing that the public can see is the obvious.
American audiences are just the same as any other audiences. Except a bit more boring.
There are often multiple sources for some famous statements by King; as a professional speaker and minister he used some significant phrases with only slight variation many times in his essays, books, and his speeches to different audiences.
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