A Quote by Tituss Burgess

I have always thought to do my best work. — © Tituss Burgess
I have always thought to do my best work.
I always thought, I can't waste time, I have to do work. I also thought that I was slower than other people, that I had to concentrate more. I always thought, I'm not brilliant, I have to work. That was something I embedded in myself very early: I have to go home and write. But did I get any more work done than people like Frank O'Hara, who were always going to parties? Probably not.
I've always thought we've done our best work when everything is on the line.
You've always got to work with the best if you can, and of course, the best are the best because they're different. They expect certain standards, and they're usually very difficult people to work with.
In my 35 years in business I have always trusted my emotions. I have always believed that by touching emotion you get the best people to work with you, the best clients to inspire you, the best partners and most devoted customers.
I am not one of those writers that just does songwriting one way. Personally, I think the best song will pop out all at once, because it's this feeling that the words fit the music so cleanly. When you really have a complete thought, and you always yearn for that as a songwriter. You always work for that.
An interviewer once asked me to discuss my collaboration with Elmer Bernstein, and precisely why I chose to work with him. My first thought was: How could I not work with Elmer, when I had the chance? Simply put, he's the best there is-the very best.
My approach has always been to put 100% into the movie I'm making right now. I think sometimes filmmakers put too much thought into the grand franchise they're going to build. And guess what? If the first movie doesn't work there is no franchise, so I'm always concentrated on making the best, best possible movie right now.
Preparation is a mentality... With wrestling being my background, I've always learned to overwork, overwork. Work, work, work, work. It's not always the talented that wins, but it's the one who puts in the most preparation and thought into things.
I think we've done that. But it's not something you really notice, 'cause I've always thought the people here have always done their best, and they continue to do their best. They just might do it a little bit differently.
The problem I've always discovered in my own work when this kind of thing happens when you hit the wall is there's almost always a reason. You've almost always made a mistake in the initial conception of the project. You misapprehended something or you thought something would work and now you're three quarters on the way through and you see that it doesn't work.
Some men never seem to grow old. Always active in thought, always ready to adopt new ideas, they are never chargeable with foggyism. Satisfied, yet ever dissatisfied, settled, yet ever unsettled, they always enjoy the best of what is, are the first to find the best of what will be.
I always thought old age would be a writer’s best chance. Whenever I read the late work of Goethe or W. B. Yeats I had the impertinence to identify with it. Now, my memory’s gone, all the old fluency’s disappeared. I don’t write a single sentence without saying to myself, ‘It’s a lie!’ So I know I was right. It’s the best chance I’ve ever had.
I thought that you had to work, work, work and try to be the best musician you could, and that's the only way you could make it. Then it turns out, halfway through the scene, they change the rules on you!
Honestly, I've always thought that Charles Barkley is the best guy on TV because he will really tell you what he thinks. But it's all well thought out.
I was so scared because I was thought I had to work, work, work, because I thought I might only be around for five years. I thought I wasn't good enough to last.
When I came down south and was put together with big producers, I always thought that they knew best. I never thought for a minute that they might have another agenda.
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