A Quote by Tiya Sircar

I don't often get Indian girl roles because I'm 'not Indian enough.' Which is true - I'm from Texas. — © Tiya Sircar
I don't often get Indian girl roles because I'm 'not Indian enough.' Which is true - I'm from Texas.
Be proud that thou art an Indian, and proudly proclaim, "I am an Indian, every Indian is my brother." Say, "The ignorant Indian, the poor and destitute Indian, the Brahmin Indian, the Pariah Indian, is my brother."
I want to get rid of the Indian problem. [...] Our objective is to continue until there is not a single Indian in Canada that has not been absorbed into the body politic and there is no Indian Question and no Indian Department.
I was often the only white girl in the Indian dance class. That felt funny, but doing Indian dance was great.
An Indian is an Indian regardless of the degree of Indian blood or which little government card they do or do not possess.
I discovered that there is Indian blood in my ancestry on my father's side - a fact that had not been talked about in my family. No wonder I've often been cast in exotic roles - Indian princesses, Russian revolutionaries, Algerians, Gypsies and Greeks.
I had an Indian face, but I never saw it as Indian, in part because in America the Indian was dead. The Indian had been killed in cowboy movies, or was playing bingo in Oklahoma. Also, in my middle-class Mexican family indio was a bad word, one my parents shy away from to this day. That's one of the reasons, of course, why I always insist, in my bratty way, on saying, Soy indio! - "I am an Indian!"
I was bullied when I was in middle school in D.C., especially for being an Indian, because there weren't many Indian kids in school. And because of that, I tended to hide my Indian culture, but that changed by the end of high school. Now, I am 100% proud of it.
Sachin Tendulkar is already a 'Bharat Ratna' for Indian people because of his phenomenal success and the manner in which he has served Indian cricket for years.
The life of an Indian is like the wings of the air. That is why you notice the hawk knows how to get his prey. The Indian is like that. The hawk swoops down on its prey, so does the Indian. In his lament he is like an animal. For instance, the coyote is sly, so is the Indian. The eagle is the same. That is why the Indian is always feathered up, he is a relative to the wings of the air.
When I first came to Harvard, I thought to myself, 'What kind of an Indian am I?' because I did not grow up on a reservation. But being an Indian is a combination of things. It's your blood. It's your spirituality. And it's fighting for the Indian people.
The Indian Bureau system is wrong. The only way to adjust wrong is to abolish it, and the only reform is to let my people go. After freeing the Indian from the shackles of government supervision, what is the Indian going to do: leave that with the Indian, and it is none of your business.
Even I, when I was a student in London, often wore Western clothes, and yet I'm the most Indian Indian I know.
'Newton' is a very Indian film. I think, after a long time, people will see an Indian film in its true form. As in the story, the character, it is set in the heartland of India, but it's purely like how there was a time when Hrishikesh Mukherjee used to make sweet Indian films.
I was raised by the Indian community, and those families are still very close to us. We used to go to each others' houses one Sunday a month, so we got to know everyone well. Also, we love Indian food and can't get enough of it.
I did 'Gandhi' but post that how many roles could be generated in a Hollywood film for an Indian face? Similarly how many roles can be generated to accommodate Hollywood actors in Indian films?
I'm not even Indian-American: I'm Indian-Indian. Everybody expected me to have henna and a nose pin and talk in an accent like Apu from 'The Simpsons.' I was nervous because I wasn't sure if America was ready for a lead that looked like me.
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