A Quote by Tobey Maguire
The most attention I get is in a book store or video shop when I go to the foreign film section. Sometimes that can be fun, but usually those women want to talk about philosophy or something very dense. It's not like they're tearing off my shirt, you know.
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The thing I love most about going to a book store is the self-help section is the biggest section because Americans know we're screwed up. We know it. But we want to get better.
It's very easy to get excited about a job, but it's a big commitment because you do it and then you have to live with it when it's finished. It's forever in your section in the video store. It's you. It's almost like deciding who you have a child with.
I shop a lot from the children's section and, sometimes, from the men's section. You'll find skirts, shirts and shoes from the children's section. My friends buy me more adult-like clothes, and I love those. But I cannot do away with the colourful stuff.
You go into the book store, there's the cut-out of Dr. Phil, and then the dreaded women's health section where every book, instead of the menopause book with the fanged Medusa head on the cover that might be more pertinent, you always see a flower and a poppy and a daisy and a stethoscope.
Sadly most films only get exposure if they win an award or were in a festival, which is really difficult because those things cost money! Submitting your film to a festival or campaigning for an Oscar or a Golden Globe is very expensive. Most people don't know that, but all those events require a lot of money. If you have a small independent film, it's very hard to get the attention of people in those circles.
I'm not trying to be self-serving, but you know, you get to Hollywood, and if you want to make something big and loud and dumb, it's pretty easy. It's very hard to go down there and make a film like 'Sideways,' which I thought was a great film. They don't want to make films like that anymore, even though that film was very successful.
I live right next to a grocery store and I don't know if it's the bachelor in me, but I just go in and shop for what I need for the day. I'm an idiot because I don't shop for the whole week. The check out clerks always crack jokes about the fact that I'm in there sometimes twice a day.
It's really good to talk about it [ hydraulic penises and prosthetic butts], and it's very gratifying when people ask us about the other aspects of the film [Swiss Army Man], but [those things] are part of the movie and they're important and hilarious, a very fun part of the movie, so there's no sense from us of not wanting to talk about that. I think it's exciting that those things exist in a film that is also very heartfelt and emotional and profound.
I was in a store in Halifax, Nova Scotia that I love, sort of like an environmental friendly sort of store. But they had a great book section. So I went in there all the time. The woman who worked there - which I feel so bad; I've forgotten her name - she handed me the book and she said, "Hey, you should read this. I think it would make a good movie." I remember reading the back of it and I was like, "Huh." Then I just devoured the book and I was so moved by it and said, "Why don't we start developing this into a film?" So that's how it ['Into the Forest'] all started.
Most of the people that I've worked with when shooting films that I really respect, there is a point which you do become obsessed in a good way. And because it's a collaborative medium, you're not by yourself in a room tearing your hair out, you're in a room with a bunch of people. And we're all tearing our hairs out, or trying to get something right, or caring deeply about something. But that's fun.
Actors want to act; actors want to emote. It's like the emotional equivalent of tearing your shirt off and screaming to the heavens: you want to express, and you want to be seen to be expressing.
I feel so excited for what's happening in fashion now in general because it's really inspiring for women to create a look and have fun with makeup again. I think it's intimidating sometimes when you go to a department store and you're like, " Oh my god I love those colors, but what do I do with them"?
But most of all, I like to watch people. Sometimes I ride the subway all day and look at them and listen to them. I just want to figure out who they are and what they want and where they are going. Sometimes I even go to Fun parks and ride in the jet cars when they race on the edge of town at midnight and the police don't care as long as they're insured. As long as everyone has ten thousand insurance everyone's happy. Sometimes I sneak around and listen in subways. Or I listen at soda fountains, and do you know what? People don't talk about anything.
And so you try your best. Sometimes you go in with one thing, with one desire and come out with something else. In the case of 'The Aviator' it was to create a Hollywood spectacle, but by about the second or third week of shooting you just want to literally survive it. Because don't forget, I also go through the editing process too, and when the film is released I have to talk about it. So, I take all of that very seriously.
I didn't grow up like Quentin Tarantino, watching esoteric art films at the video store. I'd go to the multiplex and see big, mainstream movies, and I'd go, 'I want to make one of those one day.'
If you get a chance, whenever you're traveling, do go to the local boutique comic book shop and don't buy your comics online 'cause those guys are going to go extinct, in a minute here, and we want to be able to have those experiences with our kids.
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