A Quote by Tobias Forge
I always hate starting tours, especially when it coincides with an album coming out.
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I got an album coming out with Bibby (No Limitations) we gone do a joint album our first-ever joint album together officially since we started that's coming this year 2017.
I read the reviews sometimes, but I don't let it really affect the next album because, for me, when I approach an album, it's usually coming to me pretty naturally. It's not like I set out, like, "Okay, I'm going to write an album this month." It's more like I'm just always writing songs and eventually I start to realize that a group of songs sort of fits together, and I go from there in putting together the album and themes and artwork and things like that.
People are starting to reflect upon the power of emotions on illness and I have always felt a direct connection between emotion and body. It is fascinating that neurologists are starting to tell their patients that yes, they are sick, the symptoms are there, but it is probably happening because an emotion is not coming out the way it could and should.
The guy we want to get is the guy who did the Aerosmith album which is coming out in two days, and a Chili Peppers album, and a couple of Pearl Jam albums. We want to get someone that will sort of bring out the high energy aspect more than the dreaminess that was on the last album.
My joke, which isn't really a joke, is that there will be one of two tours: the tour for the album that does well, or the tour for the album that stiffs.
I've always loved playing in bands where there's like three or four people and we're all throwing out ideas and coming together to make an album.
We are normally involved in Ozzfest and heavier tours. We love all the tours we've done, but I always thought it'd be cool to do Warped, since a lot of these kids are young girls.
People who are just starting out are always sort of coming to me for advice as the example of "independent girl," and lots of people ask, well, how did you get the booking agent or the national distribution or the tours? And I look at them like, "Good lord! Relax!" I mean, how I did it was to not care about it and to not even think about it for years and years. All I thought about was getting the next little gig in the little bar, and I get this sense that people want me to give them the secret formula or the magic trick to make it all happen.
Many authors hate to go on grinding book tours. But I've always found it a useful way to be a foreign correspondent in America and take the pulse of the country.
Everybody else goes out and plays a show as if it's their album, which is boring. I'd rather sit at home and listen to the album, because I hate to be in a smoke-filled, loud room - that's not enjoyable for me at all...I always look up to guys who can sit and do dinner music...they're singing in tune and playing somebody else's music, and I don't think I could do that...it's the shittiest job in the world.
Seven has always been my lucky number. It's on my guitar pick; in sports, that was always the number I was, and 'Riser' is my seventh album. With this album kind of coming to an end and having seven nominations at the ACMs, it feels like a bigger story in play for me, and it's the perfect number. I wouldn't have wanted eight!
Already Roland feels his limbs starting to go numb. He swallows hard. "I hate this. I hate you. I hate all of you." "I understand.
I'm one of a dying breed who goes out and tours all the time. Labels don't spend the money to send people out to play before they become famous, but we did do that so the fans we have are word of mouth fans who have been travelling around with us for years, and they buy the albums, but they are also the ones who go out and get the bootlegs. I don't discourage bootlegging, I like playing live, I don't think it hurts my album sales at all if there are bootlegs out there. Who cares?
I might do a solo album, maybe do covers, or do an acoustic thing. No Sex Pistols tours, nothing!
The first class opposition that appears in history coincides with the development of the antagonism between man and woman in monogamous marriage, and the first class oppression coincides with that of the female sex by the male.
In the years between 2000 and 2004, I always got the feeling that people were just starting to hear about me and they were all late to the game. I'd be out playing shows for records that I recorded back in 1999 that were just coming out.
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