A Quote by Tobias Forge

If you ever want to play bigger places, you need to have records that sound like you're playing in big places. — © Tobias Forge
If you ever want to play bigger places, you need to have records that sound like you're playing in big places.
Travelling to different countries is a goal. I wouldn't mind playing huge places if we got an opportunity to, but it's nice to play small places too. Fish was saying yesterday that he doesn't ever want to play stadiums, or maybe he would once, he said.
If I go to places where other people are playing, I often get up and play myself. I just enjoy the sound and feel of playing.
There are so many little places I want to play, sometimes weird places I think would be fun to play... a bar that's half full.
Your hands are like dogs, going to the same places they've been. You have to be careful when playing is no longer in the mind but in the fingers, going to happy places. You have to break them of their habits or you don't explore; you only play what is confident and pleasing. I'm learning to break those habits by playing instruments I know absolutely nothing about, like a bassoon or a waterphone.
I mean, I would always like to play bigger places and play for more people.
There are places that are thriving in America that don't need very much help, and then there are places where people feel so discouraged and so left behind, like nobody cares about them. And I want to try to help there.
I balance things better and don't kill myself so much, but conflict makes me a more interesting actress to watch. The places I go to pull emotions from, I think if you have a perfect, happy life, you just don't have those places. And I want those places. I'm proud of those places.
Places like Ministry of Sound are too druggie for me. Smaller, local places are where it's at for me.
Firstly I did it in this huge theatre in Avignon, then to smaller places, then bigger places. You have to change the volume of the voice, give more or less. The way you have to relate to space makes it like sculpture.
In places like the U.S. and Germany, women's professional boxing is already quite big, but I'd like to be the name that makes it bigger and gives it more global appeal.
And some places you been before are so great that you don't ever mind going back. Some places you been before you don't ever want to go back, you know, like Montreal in the Winter.
It's important that when you do standup, you do small places like coffee shops and also big places like colleges. It helps you find the little nuances in your set that don't work, and you can shave off the excess.
When we were younger and first starting out in Australia, we found that we sold more records by word of mouth because we were playing the bars, clubs, and small places and building a following. And as we got bigger, we still relied a lot on word of mouth.
I don't understand racism. We are all the same and I have the perfect hypothesis to prove it. I play to all those countries and they cry in all the same places in my show. They laugh in the same places. They become hysterical in the same places. They faint in the same places and that's the perfect hypothesis. There is a commonality that we are all the same.
My goal--and this is kind of my own little secret--but when I get married, just to head out and finish football and, and, and be a missionary around the world. Places where Steve Young--not that it's big really that many places--but places where they have no idea about football.
There are all kinds of strange threads in American culture, and places where sympathy is extended and places where it isn't, and places where outrage is extended and places where it's not. It's this constantly shifting barrel of eels.
This site uses cookies to ensure you get the best experience. More info...
Got it!