A Quote by Tobias Forge

'Dance Macabre' feels like one of those songs that you want to play forever. — © Tobias Forge
'Dance Macabre' feels like one of those songs that you want to play forever.
People like to hear songs that they can dance to. Even if they're sitting, they like being made to want to dance and move. By me being a dancer, I know how I'd dance at certain tempos. I was always good at it.
It's not always possible to play a song exactly as it is on the album. That's also something that I really don't want to do because I like to have versions that also adapt to the band, so that is always a big challenge to see how we can transform those songs so it feels natural.
Within comedy, macabre is the root, and a lot of art - Goya, Bosch, Dali - is macabre. Even Van Gogh, if he paints a chair, there's an element of the macabre within it.
I love doing a television show. It just always feels like it's a little while before you find something that feels unique and that feels like a character that you really want to play for awhile.
People try to make a big deal, like I don't want to play my old songs. That's not it. I don't want to play my old songs if that's my only option. That's a different thing.
I just want to play shows and write songs and make music. That's what feels good.
Music is an emotion and it makes you feel a certain way. Some songs make you want to dance, while some make you think. Some songs are positive, while some people see those songs as negative.
When I am dancing, it feels like my prayer. It's like an offering. I offer my head back to the dance, I offer my shoulders back to the dance, my elbows, my hands, my spine, my knees, my feet, my whole self, my bones, my blood, my experience, my suffering... I offer it all back to the dance and I say: take it, do whatever you want with me. Release me.
I never play all new stuff, because you got to "dance with the girl that brought you" what is that saying? You got to play the songs that got you there, so I love playing the songs from my very first record.
I think one of the things I enjoy about acting is the transformation, and part of that is certainly the physical transformation. If people are confused forever, wondering where they have seen me before, that feels like exactly where I want to live. It feels like something's working.
We have parties at my house. My girlfriends and I play our iPods, with all of our favorite songs. We pick our songs and jump up on the counter and dance, and do runway stuff, and we take video with my camera. When I'm with my girlfriends, I act like I'm 19.
You have those songs that are very special to you that you don't want to get ruined by production. Something like 'Start Again' shouldn't be touched. It's a classic-sounding song on a piano and violins and harmonies, and I think those songs are perfect as they are.
There's this Ryan Gosling quote that I steal all the time - I watched an interview with him in Cannes - and he said picking roles is like listening to songs on the radio: There can be a lot of really great songs in a row, but then one comes on that just makes you want to dance.
When it comes time to dance, they're like a regiment; they do the same steps - except for the Mike Teavee dance, where the Oompas play in a rock band. I learned to play the guitar for that one.
I want to write songs, and I would like to play and sing them. I'm not a politician; I'm not a comedian. I hate coming up with bits to do between songs.
I'm not bashing people who write songs that are just 'get on the dance floor and party party', I understand why people need those songs too, but I don't really write lyrics like that.
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