A Quote by Tobias Forge

If you come in like a typical modern drummer who is used to playing only with tricks and double kick and, like, big, big, big, fast rolls, but you can't play a swinging shuffle, then you can't play in Ghost whatsoever.
When playing big festivals, I tend to play big, over the top techno tracks, like hands in the air songs that make sense being played in front of 30,000 people. I steer away from subtlety in the interests of big bombastic dance music.
The play I was doing [on a Broadway ], I was playing an obnoxious, outspoken kid, so [the director James Lapine ] saw me do the play, and he was like, "That's what I'm looking for." I tested for the part [in Life With Mikey]. Back then, I used to do screen tests. I mean, they still do every once in awhile, but it was a big deal.
I think, like all big things, you don't know they're going to be a big thing when you start. You just kind of, like, play because it's fun, and it's interesting, and then it turns out to be way more important than you expected.
I feel like I have big thighs. My brother was always like, 'Yeah, I want big thighs! Big thighs are awesome!' And I'm like, 'Yeah, for a man!' But I've trained since I was 6 years old to play soccer, and this is just the type of body I have.
We have to be mentally prepared for every team we play. If we play a team who has a big name on their chests, then we are going to come out ready. But if we play a team who doesn't have a big name or a star player, we have a hard time coming out ready.
I know the questions will be around the money, the amount Chelsea had to spend to bring him here but that's the reality of modern football. Big teams only want big players, big players are in big clubs, big clubs want to keep their big players.
I think I play tennis for, to against a big legend, big court, short time. That's what I train for. That's why every day I wake up and I wish I could play those matches, you know. It's like, for me it's the best thing can happen is to play against that guy on that stage, you know.
The truth is few people “think” big and even fewer “play” big. Why? Because “big” often means big responsibilitie s, big hassles and big problems. They look at that “bigness” and shrink. They’re smaller than their problems. They back away from challenges. Ironically, they back themselves into the biggest problem of all ... being broke, or close to it.
In some respects, big ideas can be a bit too big for a short story - especially if you've only got a couple of thousand words to play with, and you need room for other stuff, like character, description.
I'm a big-guy guy. I look at guys like Shaq, Ben Wallace, guys who play inside and play tough. I don't pay much attention to the little guys; I like the big guys who do the dirty work.
Of course we all dream about doing big, playing for big clubs, but I wanted to play football because of the love for the game.
You are what you think. So just think big, believe big, act big, work big, give big, forgive big, laugh big, love big and live big.
When I first set up my big band, I only had Gilson Lavis, the drummer from Squeeze, with me. He was the core element. Whenever a group hits the big time, they always get a new drummer because they really need that. You can make do with rubbish elsewhere.
The typical baseball play is a pitcher throwing a ball and the batter not swinging at it, while the other players watch. Even a home run, the sport's defining big blast, is only metaphorically exciting; a fly ball that leaves the yard changes the score but may offer no more compelling view than an outfielder staring up.
I think a lot of us women feel like we deserve to play on the big courts in front of a big crowd as well.
I like having a big band because it gives you more options. They can always not play and I can do the quiet stuff, but when we want to do the big arrangements, we can.
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