A Quote by Tobias Forge
More than often, what you see, or what we've been able to recreate, has usually been a tampered-with version of what I have in my head, because the original idea has always been bigger. Every time I am in the mode of creating a show, there's always some level of gravity that comes in play, either of a monetary sort, or there's a space issue.
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And I've always been able to play basketball at the highest level, and been able to play a significant role on the team I've been traded to.
I have no sense of direction; I never know where I am. When I back up a car, I'm more likely to hit what's behind me than not, because I have no vision for it. I've never been able to play games or play cards because I can't in my head get the next move. I've never been able to balance a checkbook. So there's some brain damage, but it may be that very brain damage that allows me to do the work I do. I've never met a cartoonist who isn't quirky or weird in some ways.
Ever since 1980, sci-fi has generally been more Bladerunner than Star Wars. People talk about Star Wars being the most influential movie of all time and creating the blockbuster along with Jaws and that sort of thing, but really there's not been a space opera that anyone can go and see.
I always have that in the back of my head - the idea that I've been spoon-fed because of where I'm from. I think that's one of the main things that drives me to work harder to show that, in reality, I haven't been handed anything.
At heart, I have always been a coper, I've mostly been able to walk around with my wounds safely hidden, and I've always stored up my deep depressive episodes for the weeks off when there was time to have an abbreviated version of a complete breakdown. But in the end, I'd be able to get up and on with it, could always do what little must be done to scratch by.
I've always been following Chelsea and every time I came to London I would try to see a Chelsea game and see how the team was doing because it's been my dream to come to play here.
On a deeper level, there's a level of privacy that I need in order to work, and if there's been a time when there's been a lot of publicness in my life, it can be a little bit difficult to sort of rebuild that private space.
I've been blessed because every single role I've done has been an educated person. I've never done the stereotypical Latina, even though I have an accent - I've always been able to play educated people. That's a good thing!
I have a strong head on my shoulders... I've always been grounded. People would think not because of who I am, but I've always been raised with that sense of morals from my dad and my mother.
All the plays that have ever been written, from ancient Greece to the present day, have never really been anything but thrillers... Drama's always been realistic and there's always been a detective about... Every play's an investigation brought to a successful conclusion.
I have always been incredibly grateful for my time in the Bachelor world, and while overall I have no regrets, my time on the show hasn't come without its hardships. But I have always been a risk taker and have always believed the greatest things in life often come with the greatest risks.
Because I have always felt privileged. I have been able to do what I love, I have always been treated well, I have always been paid well so that's why. I feel that I owe something; that I need to return something. It's always been a great pleasure but nevertheless I do feel this responsibility.
As vocal as some people have been about how emotionally attached they've been to celluloid, I've been equally emotional in my stance that nothing is more valuable than this. Than being able to see the result of your work quickly.
I have always been fascinated by the life cycle, the way skin metamorphoses over time. I am mesmerized by skin and that's why I've been attracted to the nude. I do think people show their soul when they are stripped down psychically. There is something wondrous that happens when we relate on that level - and I am interested in that depth.
I was 15 when I did Rufio and now I've been Rufio for more of my life than I haven't been. Wrestling with that is always interesting because you don't want to be fully defined by it, but at the same time it's you, and you don't want to be ashamed of you either.
When I write a tune - and it's been like this for many years - I always hear in the back of my head some sort of vague, orchestrated, fully fleshed-out big-band version of the song with other parts going on.
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