A Quote by Tobias Harris
It's night by night, just figuring out watching film on different passes I can make, and the ball will find you and it comes back to you, but it opens up the floor for other guys too.
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You have to compete with LeBron James and Steph Curry, those guys, night in and night out. You can't take a night off. You just have fun, be humble, but continue to work.
You perform for a different audience each night. People who don't understand just think that you go out there every night and do the same thing, but you don't - you have to find out who they are and give it to them.
There is no night life in Spain. They stay up late but they get up late. That is not night life. That is delaying the day. Night life is when you get up with a hangover in the morning. Night life is when everybody says what the hell and you do not remember who paid the bill. Night life goes round and round and you look at the wall to make it stop. Night life comes out of a bottle and goes into a jar. If you think how much are the drinks it is not night life.
I always remember sitting with my son, Anthony, at Arsenal one night and watching Barcelona during the warm-up. Messi launched this ball miles into the air and then killed it dead with his foot when it came back down. Anthony and I just looked at each other. Normal human beings aren't capable of doing that.
I grew up watching Monday Night Football with Howard Cosell and the other guys with my dad.
Growing up, I was a typical high school kid when YouTube first came out, and I was just watching a whole lot of videos of guys in the league I'm playing with now, guys that aren't in the league, and guys that came before me, just watching the moves that they do, and going out in my backyard and trying them. I did it almost every single day. And I didn't do any crazy dribbling drills or any two-ball dribbling drills. I'm really not good at two-ball dribbling. Nah, never did that. I just went out and tried the moves that I saw.
Any time you add something to your game, you still have to find ways to improve, so I'm still studying the game and trying to find out ways to increase how we use me on the floor. You're not being complacent, not falling back and floating around the perimeter too much, figuring out when to attack. I'm trying to find that balance between attacking and spotting up and things like that.
What keeps me up at night? Waking up to a scoop at another newspaper or on TV. I'm probably competitive, almost too much so. I will stay up till the Web sites at night roll over. And if they don't roll over, I'll stay up until it's done. I'll wake up at the crack of dawn, or in the middle of the night even, just to go and check and see.
At eight o'clock the curtain goes up and that's it, you're out there with yourself, the audience, the other players. There's no "take two" business. You're on. The great thing is the rehearsals, too. When you're bouncing around on film sets and TV sets you don't really get the opportunity to - generally speaking - rehearse much. With theater you're kind of four-to-five weeks locked down in the room with the guys figuring stuff out. It's back to play school.
There's a lot of guys in the NBA; it's about finding the right fit, a coach that has some trust in you that will play you night in and night out, consistently. Trying to find a right fit is the tough part.
Offense, defense - on both ends of the floor - figuring that out. I'll keep watching the film and see where I can keep getting better.
No one ever wants fight of the night. Every fight I've gone in, I want knockout of the night. I want to be in and out quick. Sometimes, these guys just have a lot of grit - they're highly trained, and I just can't get them out of there, so I get fight of the night.
There is all this controversy that women and girls are too skinny or too overweight. I say to just do martial arts and everything will be okay. You will tone up your body and find a confidence you can't find just sitting around watching TV and hanging out with friends.
I've been driving in the city for years because, as a stand-up in N.Y.C., you can perform at more comedy clubs a night if you have a car. Getting from club to club by subway is too slow at night and too expensive by cab. So, many comics live far out from Manhattan and drive in every night.
Watching live actors onstage, in something that changes night by night, real people picking up cues from each other, it concentrates you on the process rather than the result.
On film, when you're driving home from the set, you realize what you should have done, but it's too late. When you're taking the subway home from your play, you realize what you did wrong, and you go back the next night and you do it better, or you screw it up again in a different way. It's a different thing altogether.
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