A Quote by Tobias Hill

If, at a party, I say I'm a poet, people have a hard time responding, almost as if I'd said I'm a priest. — © Tobias Hill
If, at a party, I say I'm a poet, people have a hard time responding, almost as if I'd said I'm a priest.
This quality becomes important at a time when almost everyone is a poet. And as I said, we live in an age where almost everybody is a poet, but scarcely anyone can write a poem.
I got into an argument with someone because I said I think 2Pac will be regarded as a great poet. They said he was just a punk gangster. People said the same thing about Francois Villon, and he's now considered the best French Romantic poet of all time.
I wrote poetry for seven or eight years, maybe longer, before I could say I was a poet. If people asked, I'd say I wrote poetry; I wouldn't go further. I was in my mid- to late-thirties before I felt that I was a poet, which I think meant that I had begun to embody my poems in some way. I wasn't just a writer of them. Hard to say what, as a poet, my place in the world is. Some place probably between recognition and neglect.
I once gave a workshop and I asked the women poets there, If you went back to that little town you've come from - these were from small towns - would you say, I'm a poet? And one of them said, If I said I was a poet in that town, they'd think I didn't wash my windows. And that stayed with me for so long, the sense of the collective responsibility of someone as against the individual thing it takes to be a poet.
If the party is a broad church, then it only has one priest. It was my job to keep it united and at the same time to ensure that I transform it into a modern liberal party.
I believe that Jesus was both priest and poet. Imagine those powerful parables! My experience as a priest tells me it's not possible to reach the hearts of the congregants without a bit of poetry and storytelling.
I'm a political poet - let us say a 'human' poet, a poet that's concerned with the plight of people who suffer. If words can be of assistance, then that's what I'm going to use.
So many people say, 'So, what, are you a party girl?' And I say, 'I'm a walking good time.' Do I sometimes go out and drink? Hell, yes. But could I have a number one song if I wasn't also working hard? Maybe that needs a little more respect.
I know it is very hard to rise above the influences of party prejudice. Often, it almost drowns the sentiment of patriotism. Party rancor and party hatred are the last serpents which the genius of patriotism can crush.
I have a hard time saying "no" if it's right. I don't say "no" to say "no." I said "no" when I didn't have a pot to piss in. I still said "no" to big money jobs because they didn't make creative sense to me.
Online I see people committing 'social media suicide' all the time by one of two ways. Firstly by responding to all criticism, meaning you're never going to find time to complete important milestones of your own, and by responding to things that don't warrant a response. This lends more credibility by driving traffic.
Once a poet always a poet, and even though I haven't written poems for a long time, I can nonetheless say that everything I've ever learned about writing lyrical fiction has been informed by three decades of writing in lines and stanzas. For me the real drama of fiction is almost always the drama of the language.
The Greeks, those originators of the intellectual life, fixed for us the idea of the poet. He was a divine man; more sacred than the priest, who was at best an intermediary between men and the gods, but in the poet the god was present and spoke.
Thanks for looking out for her, Sage. You're okay. For a human." I almost laughed. "Thanks." "You can say it too, you know." I walked over to Latte and paused. "Say what?" "That I'm okay...for a vampire," he explained. I shook my head, still smiling. "You'll have a hard time getting any Alchemist to admit that. But I can say you're okay for an irreverent party boy with occasional moments of brilliance." "Brilliant? You think I'm brilliant?" He threw his hands skyward. "You hear that, world? Sage says I'm brilliant.
When people say what is 'Gone With the Wind' about, they say it's a love story between Rhett Butler and Scarlett O'Hara. But Mammy is almost a third party.
Do you know, the only people I can have a conversation with are the Jews? At least when they quote scripture at you they are not merely repeating something some priest has babbled in their ear. They have the great merit of disagreeing with nearly everything I say. In fact, they disagree with almost everything they say themselves. And most importantly, they don't think that shouting strengthens their argument.
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