A Quote by Tobias Lindholm
Everybody can write a beginning and an ending, but to actually define that middle point where everything will go from professional to person, where everything will change, is always the hardest part, because it can very easily be too constructed, too artificial.
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I let myself go at the beginning and write with an easy mind, but by the time I get to the middle I begin to grow timid and to fear my story will be too long. . .That is why the beginning of my stories is always very promising and looks as though I were starting on a novel, and the middle is huddled and timid, and the end is...like fireworks.
Humor is really one of the hardest things to define, very hard. And it's very ambiguous. You have it or you don't. You can't attain it. There are terrible forms of professional humor, the humorists' humor. That can be awful. It depresses me because it is artificial. You can't always be humorous, but a professional humorist must. That is a sad phenomenon.
You don't really have to go anywhere in particular in New York City to have a good time. In every part of town, there's always something going on. It helps to know people there, too, because everything changes so fast, and they will be able to point out what's hot this month.
When I set out to write a screenplay, I have in my mind a beginning and an end but that end part continually changes as I start to write the middle. That way by the time the screenplay is finished I have taken myself and my audience from a familiar beginning point through the story to an unfamiliar ending point.
I always rewrite the very beginning of a novel. I rewrite the beginning as I write the ending, so I may spend part of morning writing the ending, the last 100 pages approximately, and then part of the morning revising the beginning. So the style of the novel has a consistency.
For the record, someone will ALWAYS say that you are too big, too thin, too lean, too fat, too whatever. In my opinion, they are too conceited to think that their opinion is going to change our behavior. A person with confidence won't be deterred! Keep after it!
The hardest part is always the middle of anything because at that point, on some unconscious level, you have to figure out what it's about and why you're doing it and what it means. You don't know that in the beginning.
We cannot master everything, taste everything, understand everything, drain every experience to its last dregs. But if we have the courage to let almost everything else go, we will probably be able to retain the thing necessary for us-whatever it may be. If we are too eager to have everything, we will almost certainly miss even the one thing we need
Be persistent. Editors change; tastes change; editorial markets change. Too many beginning writers give up too easily.
Tomorrow I too – this feeling and thinking soul, the universe I am to myself – yes, tomorrow I too will be someone who no longer walks these streets, someone others will evoke with a vague: 'I wonder what's become of him?” And everything I do, everything I feel, everything I experience, will be just one less passer-by on the daily streets of some city or other.
I mean that everything this afternoon has been too beautiful, and that perhaps everything together will never be so right again. I'm very glad therefore you've been a part of it.
When you start defining yourself, you put yourself in boxes and I don't want to be trapped in anything because I will always evolve - I will always change. It's like water. I take on many shapes. Everyone should be that way and not define themselves. I am everything.
I always write the end of everything first. I always write the last chapters of my books before I write the beginning....Then I go back to the beginning. I mean, it's always nice to know where you're going is my theory.
In the beginning we define what is spiritual. But as you go on, you see that everybody and everything is an instrument of infinity.
But the explanations fell apart in her hands. Everything true was too hard to write--he was too much to lose. Everything she felt for him was too hot to touch.
There are no rules. You can write a story, if you wish, with no conflict, no suspense, no beginning, middle or end. Of course, you have to be regarded as a genius to get away with it, and that's the hardest part - convincing everybody you're a genius.
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