A Quote by Tobias Lindholm

I've never been a soldier. In Denmark, at 18, as a male, you go in a draw, and if they pick you, you go and serve for a year. I didn't. — © Tobias Lindholm
I've never been a soldier. In Denmark, at 18, as a male, you go in a draw, and if they pick you, you go and serve for a year. I didn't.
My wife is Danish and we go to Denmark a couple of times a year.
We typically make movies that are geared towards 18-year-olds. The people who pay and go to movies more than two or three times are usually under 22, so I get how it works. I don't really want 18-year-old boys to find me that attractive, that kind of would creep me out at this stage.
If you have form'd a circle to go into, Go into it yourself, and see how you would do. They said this mystery never shall cease: The priest promotes war, and the soldier peace.
I want to go to Denmark and Scandinavia. We've been inundated with their telly recently, and I've never been to any of those countries. I really want to get to know the people. I quite fancy living there for a bit if I could take a month off. They just seem like upfront, friendly folk.
People have different goals, when you start out making a movie. If the goal is darkness and destruction and despair, it's not like, "Hey, let's go to set, and then let's hit the bar afterwards. Let's jaunt into London and pick up some Chinese food." No, you go home from set and you go fight at the gym, and then you go to sleep. You stay in it. You never excuse yourself, you never take it easy on yourself, you never eat good food.
Hitherto I have served you as a soldier; allow me now to become a soldier to God. Let the man who is to serve you receive your donative. I am a soldier of Christ; it is not permissible for me to fight.
When I was 18, I was playing to 18 to 21-year-olds, and then, when I was 25, still playing to 18 to 25-year-olds. As I've gone on, the crowd has gone in both directions, both younger and a little older now than it's ever been. It is an interesting thing to hit 30.
I know exactly what I want to buy and I spend very little time, maybe 15 hours a year, buying stuff. I'll go in and out of Dunhill in 45 minutes and pick out a few suits. Boom. And I'm gone. I get my shirts at Charvet. I go in there - woosh - and buy 12 shirts and some ties; once a year and that's it.
I can do what I want, when I want. I want to go to this place, I pick up and go. It's nice. I've just never been inclined to do anything that's too crazy. But I still have to work, you know. Some days I don't feel like going to the studio. But I still have to.
Sometimes when I pick up a book off the shelf, when I'm buying a new book to read, I'll look at all of them and they all have the exact same words inside, but I'll think that one is meant to go home with me. I'll never pick the first thing off the shelf, I'll always go one behind.
In the evening I go up in the desert and spend hours watching the sun go down, just enjoying it, and every day I go out and watch it again. I draw some and there is a little painting and so the days go by.
When I was on the road full-time, there was about an eight, nine year stretch where I averaged, conservatively, 250 days a year out on the road. That's basically you fly into a town, you get a Rent-A-Car, find a hotel, go to the gym, you eat, you go to the arena, go back to the hotel, you wake up, go to the airport and go somewhere else.
As late as my junior year, I was taking Italian at Duke because I thought I was going to have to go overseas and play. Then I had a great senior year and became a lottery pick.
My whole plan in my head has always been, if I go a year without acting, it's time to go home; it's time to go back to Montreal.
Once a year go someplace you've never been.
Well, you know, when you go into a restaurant, one of the scariest things is the wine list, so whenever I'm really feeling intimidated, I'll just pick a wine type, like a Chianti or Brunello or a Burgundy, and I'll pick a year that's missing and ask for that one.
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