A Quote by Tobias Lutke

Different people need different kinds of communication for it to have the same effect. That was something I had to learn. — © Tobias Lutke
Different people need different kinds of communication for it to have the same effect. That was something I had to learn.
We need to include more writers from different backgrounds and ethnicities. We need to see different experiences instead of the same people writing the same kinds of stories.
I think what people need to realize is that, with trans people, we're like everybody else. No group of people are all the same. All women are not the same, all men are not the same, all children are not the same. It's the same thing with trans people - we're all so different, we have different goals, different dreams, and different aspirations.
News channels have always had interview shows, but we need different kinds of interviews with different kinds of interviewers - interviewers who bring different life experiences to the table.
News channels have always had interview shows, but we need different kinds of interviews with different kinds of interviewers, interviewers who bring different life experiences to the table.
Everyday something new pops into my mind: I could do this next or I could do that next. I want to grow more and more and show people different sides of myself, whether it's different kinds of music, different kinds of movies, or different kinds of television.
My wife has forced me to wear designer jeans, and I find... there must be two or three hundred different kinds of jeans you can wear, all of which are made out of denim and look roughly the same. People are different. They have different tastes, different bodies. Cellphones ought to be the same.
I definitely enjoy working within different contexts, with different collaborators, and in different locations. I need to keep feeding myself as an artist by working with different people. I see continuing with that. I've also enjoyed getting to explore different kinds of music and instruments in the last couple of years.
I saw what luck and success I had as an opportunity to twist it up and do something different, so I've always sought out different genres and different kinds of characters.
We need to make sure that our children know different kinds of people, eat different kinds of food, and learn our true history. The way most schools teach history is wrong. If they talk about slavery it's typically just for a couple of days and the lessons almost never address the systems that have hindered people of color for more than 250 years. This has to change.
But once we realize that people have very different kinds of minds, different kinds of strengths -- some people are good in thinking spatially, some in thinking language, others are very logical, other people need to be hands on and explore actively and try things out -- then education, which treats everybody the same way, is actually the most unfair education.
Different people in different parts of the world can be thinking the same thoughts at the same time. It's an obsession of mine: that different people in different places are thinking the same thing but for different reasons. I try to make films which connect people.
If I'm doing a show on Sunday at 7 P.M., that wouldn't be the same show that I'd do at 11 P.M. on a Saturday - it's a different room at a different time of day with different sensibilities. That doesn't mean you have to compromise your art, but it is communication: you have to know how to talk to people.
I've been really fortunate to be able to do different kinds of films in different scales, different genres, different kinds of roles, and that is important to me.
My taste in both is pretty eclectic. I do encourage people to try new and different kinds of tea if they can - there are so many different sorts, and so many, flavored or not, and there's bound to be something you like. The same with choral music, really.
I think people all over the institution recognize that different ways of understanding are valuable. Artists may think in a different way than biologists or chemists, but you can learn something from that. It is true that the arts at MIT don't have the same amount of funding or same status as the sciences or engineering.
Our communication space is very fragmented today. We have a million different tools for different things with lots of different kinds of overlaps. The most natural way to try and solve that problem is to take all those different tools and try to make them smaller and fit into a single package and maybe integrate them across the boundaries.
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