A Quote by Tobias Lutke
I got my first computer when I was 6, and I was part of that early generation of children who grew up with computers always being around. I fell in love with them early on.
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I think that having been around computers all my life - my father had brought home personal computers at a very early age in the '70s - so being around computers from a very early age perhaps I had even subconsciously seen the exponential progression of what was happening with computers.
Early on, when software was developed by computer scientists, just people working with computers, people passed around software because that was how you got computers to do things.
I got my first computer at the age of 6. To me, it was magic. By the time I was 12, I wanted to know the secrets behind the wizardry, and that started my journey toward computer programming. This was the early 1990s, when computers weren't built for the mass market.
Overemphasis of efficiency leads to an unfortunate circularity in design: for reasons of efficiency early programming languages reflected the characteristics of the early computers, and each generation of computers reflects the needs of the programming languages of the preceding generation.
Today's children are living a childhood of firsts. They are the first daycare generation; the first truly multicultural generation; the first generation to grow up in the electronic bubble, the environment defined by computers and new forms of television; the first post-sexual revolution generation; the first generation for which nature is more abstraction than reality; the first generation to grow up in new kinds of dispersed, deconcentrated cities, not quite urban, rural, or suburban.
I grew up around electronic instruments. To me, the turntable is an electronic device. At the same time, I had access to drum machines and keyboards through my uncle; then track recorders into computers. At an early age, I was messing with computers more than most hip-hop musicians.
I got into computers back in the early '80s, so it was a natural progression of learning about e-mail in the mid-'80s and getting into the Internet when it opened up in the early '90s.
I grew up in the early 2000s, being one of the first-generation wrestlers to have access to the Internet and watch independent wrestling. We usually didn't have to trade tapes anymore. We could just get online and search A. J. Styles or Low Ki.
When I grew up, the thing boys would do during the summer is work tobacco because it was a cheap product back then. I didn't want to do that. From an early, early, early age, I was like, 'I like music. This performing thing comes easy.' And perhaps that's how I ended up doing what I'm doing today. Being a musician.
The first time I got into the studio, when I was 17, 18, I got to work with people who were some part of the Cheiron thing, who did all the early Britney Spears stuff, all the early 'NSync stuff.
In my early teens, I was a janitor. In high school, I got up early to deliver to accounts that required early service.
I grew up in the Deep South, where sexism, racism, and homophobia were and still are alive and well. I have early, early memories of words and actions of this type being very painful.
As a child, I did what any normal kid who grew up without any electricity would do - I spent countless hours working on a computer wired to my parents' car battery... and learned how to code. This natural passion for computers lead me into the Internet market during the late 1990s and early 2000s.
One thing I've always been taught at the defensive end is you hit first. In life, you throw the first punch; you don't get punched first. It's the same on defense: You've got to hit first. Do your work early. That's what I was always taught. If you don't do your work early, you're done.
Growing up, I was always really inspired by Disney, and I had a great love of everything they created. My mum was huge fan, and she used to collect stills, and so they were all around the house, and we very much grew up on the early Disney films.
The most dangerous part of the race is early evening and especially early morning. It's the twilight zone. Either you're going into darkness and the sun is dropping down, or you're coming out of the darkness and the sun is coming up. At the same time, you've got new drivers coming in and feeling their way around the circuit.
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