A Quote by Tobias Wolff
I love Chekhov. I could go on all day about him.
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Chekhov directors and Chekhov actors love working on his plays because there seems to be no end to what you can find out about the micro-narrative when you're investigating a text.
Chekhov's stories are about the moment that a life goes off the rails and the price that will be paid - forever. That's a typical Chekhov story for you. Something that you're used to lying in bed worrying about at four in the morning, before you have the psychic defenses to kid yourself and tell yourself to get up and shower and go to the office.
I'll talk to Howard Stern about anything. I listen to him every day. I love him. When you go on his show, you kind of have to be an open book.
If you were falling in love and you could go back in time and relive a day and see the banal things you did that you'd forgotten about, you'd weep, looking at that day.
I like playing characters that, you know, a couple could go see the movie and one person could love him and one person could hate him.
If you're sitting around and doing Chekhov and the cat walks in, you must pay attention to the cat. You cannot continue the dialogue of Chekhov without including the cat. So on live television, we'd automatically go into ad-lib gear.
No, I don't think I could fall in love with him, handsome though he is, because I don't accept any of that huff he gives me about my great beauty and all that. I'd have to trust a man's words before I could love him. I think.
If he looked into her face, he would see those haunted, loving eyes. The hauntedness would irritate him - the love would move him to fury. How dare she love him? Hadn't she any sense at all? What was he supposed to do about that? Return it? How? What could his calloused hands produce to make her smile? What of his knowledge of the world and of life could be useful to her? What could his heavy arms and befuddled brain accomplish that would earn him his own respect, that would in turn allow him to accept her love?
"Do you know," Ivan Bunin recalls Anton Chekhov saying to him in 1899, near the end of his too-short life, "for how many years I shall be read? Seven." "Why seven?" Bunin asked. "Well," Chekhov answered, "seven and a half then."
...the girl longed for a love that could not be ended by death. From the time she was young, she knew that her true love was there, somewhere, living a life that would one day intersect her own. Knowing this made every day full of sweet possibility. Knowing that her true love lived and breathed and went about his day under her same sun made her fears vanish, her sorrows small, and her hopes high. Though she did not yet know his face, the color of his eyes, still she knew him better than anyone else knew him, knew his hopes and dreams, what made him laugh and cry.
Yet I was a fool to fancy for a moment that she valued Edgar Linton's attachment more than mine -- If he love with all the powers of his puny being, he couldn't love as much in eighty years, as I could in a day. And Catherine has a heart as deep as I have; the sea could be as readily contained in that horse-trough, as her whole affection be monopolized by him -- Tush! He is scarcely a degree dearer to her than her dog, or her horse -- It is not in him to be loved like me, how can she love in him what he has not?
I think that maybe happy families don't need stories the way unhappy families need stories. Maybe they're too busy living that they don't actually step back and talk about life like the Anton Chekhov quote. I prefer Anton Chekhov to Lev Tolstoy, and the reason is because of what he leaves out. Sometimes I think Tolstoy had a theory that he was proving and he proved it. Chekhov is more ambiguous.
I love him, she thought. I'm just not in love with him and also I don't love him. I've tried, I've strained to love him but I can't. I am building a life with a man I don't love, and I don't know what to do about it.
My husband was a serial adulterer, and there was nothing I could do about it: no questions I could ask him, no argument I could have with him, no explanation he could give me or pleas he could make for forgiveness.
I go to the studio every day, but I don't paint every day. I love playing with my architectural models. I love making plans. I could spend my life arranging things.
I go to the studio every day, but I dont paint every day. I love playing with my architectural models. I love making plans. I could spend my life arranging things.
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