A Quote by Tobin Bell
No matter what kind of significance leads you do, you learn a lot from doing schlock. The setup's the same, only you have to work twice as hard to make it the best as you can make it. And a lot of acting is not about acting but technology. Are you standing in your light? Are you out of your light? And if the sound guy's near you, please don't put the coffee cup down at that moment, because you're covering your lines. All of that stuff's going on in your head, so you learn a lot by doing whatever. In my view, never worry that something's not prime - A, number - one stuff.
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About
Acting
Because
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Leads
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The sublime moment seems to be only a product of allowing yourself to get through, to get to a lot of stuff in your life, write about a lot of stuff and not edit yourself. That is a great lesson to learn for anybody that writes or creates in anyway, to be able to make something without being good or bad.
I could take the greatest deal-makers of all time and they've always had something that didn't quite work out. You never want to put yourself in the position where something not working out is bigger than what you are and therefore takes you down. It's got to be in smaller chunks. In all cases, I want to learn something from things that didn't quite work out and learn, so that it doesn't happen again or so that in the future, you make great decisions. You don't want to make the same mistake twice and you have to learn that early on in your life.
The camera does not like acting. The camera is only interested in filming behaviour. So you damn well learn your lines until you know them inside out, while standing on your head!
It's often been said that you learn more from losing than you do from winning. I think, if you're wise, you learn from both. You learn a lot from a loss. You learn what is it that we're not doing to get to where we want to go. It really gets your attention and it really motivates the work ethic of your team when you're not doing well.
They tell you to memorize your lines, follow your light, and hit your marks. Those are the three things that you shouldn't do. You should not learn your lines, you should not hit your mark, and you should never follow your light. Find your light - that's my opinion. Everyone else will tell me I'm wrong, but that's my opinion.
Your work isn't just to learn and say the lines. Your work is to figure out what the chatter in your brain is, that's going on under the lines. It doesn't matter whether you're speaking or not speaking because your mind is working the way your character's mind would work.
The best place to learn acting is your own home. Everyday there is a new drama and every day you get to learn something new in your own house. So I have learned a lot from there.
Anybody who wants to go into any business, I always say that you have to make a commitment to yourself to make it a part of your nature like the air you breathe. I don't mean that lightly. It's hard. You have to do the work, and a lot of it is going to be during your own personal downtime. And you have to be interested in it. You can never study enough, and you can never learn enough.
I worked extremely hard to put myself in the best position to not have to worry about things when I was out there. Because if I was out of shape, or if I didn't feel well, or if it was going to be a long match or a hot match, or something like that, a lot more things creep into your head.
Doing voice work is more like recording music that people are going to listen to. You're creating an oral experience using whatever bells and whistles you have in your voice, and you can shut your eyes and use your imagination and nobody's going to see if the faces you make don't match the voices you make. That's a lot of fun.
I definitely do have a persona onstage. I definitely am a completely different person, but I'm still having a lot of fun and there's a lot of acting that goes into it. But I haven't been playing many shows when I'm working on acting as much because it's tiring, number one. And number two, it's hard for your mind to makeup what it wants to do.
You got to work hard whatever you're doing and try to be number one and take pride in what you're doing. You want to be at the best at your spot then you got to work hard, man. A lot of guys don't work as hard as it gonna take.
I love performing. I love doing improv. It's a totally terrifying experience, but it's something that I've always felt so strongly about and that I'm kind of obsessed with. And just as an actor, it's a great exercise. It's a great playground, you know, to try things out and to work on your skills. Because the mandate of improv is kind of the same as acting: It's all about your scene partner, it's all about being present and in the moment and exploring together as a team, a collaboration.
I work a lot, and I prepare a lot. I think that's really important when you live in LA, to go the extra mile for whatever it is that you're trying to achieve. You realize out here that when you stop moving so fast, it's a lot harder than you thought. A lot of hard work has to go into your career, and preparation, and being your best at all times. I think you just have to always present yourself at your best, and you just need to be prepared all the time. Looking good, and feeling good, and being positive, and being in the right set of mind to accept whatever comes your way.
I'm quite severely dyslexic so I struggle with acting in certain ways. I always have to put in triple the amount of effort, which would always frustrate me a lot. I suppose that some people can just look at a script once and know it. That's not me. I really have to spend a bit of time with the lines. But it's my job and I've got better and better at it. If you're learning a lot, things start going quicker. Doing the lines with repetition and you just get it in your head somehow.
Find something you love and commit. Commit 100%. Put your head down, and work as hard as you can. Make it as best you can, and that's all you can really do. It doesn't sound like much, but lots of people don't do the work. And it's not men or women. Lots of people like to be the director, but don't like to do a lot of the work that is sometimes quite tedious.
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