A Quote by Tobin Bell

'Saw' is a particularly popular film with 14-30 year olds, so I'll be at a playground and meet six or 10 skateboarders who just wanna talk about 'Saw.' — © Tobin Bell
'Saw' is a particularly popular film with 14-30 year olds, so I'll be at a playground and meet six or 10 skateboarders who just wanna talk about 'Saw.'
When I was six years old, I was always playing with the 10-year-olds. When I was 10, I was always playing with the 14-year-olds.
With 'Stardust', I hope what I was doing is giving 30-year-olds and 40-year-olds and 25-year-olds and 60-year-olds a chance to get the same sense of wonder, the same feeling, the same magic, that they got in reading the classic fairy tales as children.
I wanted to put a really good kids' racing bike out there for kids under 14: 10-year-olds, eight-year-olds, right down to balance bikes for kids.
Everyone wants something that'll appeal to, like, 13-year-olds to 18-year-olds. Especially working in television and trying to pitch shows, they're like, 'We definitely want something that a 14-year-old will be, like, super-psyched about.' And I'm like, 'I don't know if my reality is appealing to a 14-year-old.'
I kind of struggled as a 10-year-old to make out what it meant that Martin Luther King and Bobby Kennedy were killed within two months of each other. I think I was 14 when Watergate happened and a president was impeached. So between my birth and age 14, I just saw a lot of turmoil.
Every year I go to Broadway to see a musical - I like the music. I saw 'Mamma Mia;' I saw 'Les Miserables;' I saw 'Phantom of the Opera' like six, seven times.
There should be a certification process to suggest if a particular film is suitable for 12-year-olds, 15-year-olds or 18-year-olds. The same thing I think applies for the Internet.
More people saw the pilot of 'Glee' than saw me in my entire 10-year career on Broadway.
Some people aren't smart enough to understand the intellectual part of a being. That's why as a 30-year-old you don't have a conversation with a 15-year-old. I don't dine with 15-year-olds and talk about life. Our experiences are completely different.
It is impossible to maintain civilization with 12-year-olds having babies, with 15-year-olds killing each other, with 17-year-olds dying of AIDS and with 18-year-olds getting diplomas they can't even read.
All my career I have done that, worked with talents, improving 19-year-olds, 20-year-olds, 17-year-olds, 18-year-olds.
Childhood in large parts of modern Britain, at any rate, has been replaced by premature adulthood, or rather adolescence. Children grow up very fast but not very far. That is why it is possible for 14 year olds now to establish friendships with 26 year olds - because they know by the age of 14 all they are ever going to know.
People talk about Obama in the same way 12-year-olds talk about Bieber, and speculate about what he and Michelle are like behind closed doors the same way those 12-year-olds wonder what Justin and Selena are like.
In Vice, I saw all of it in one. I saw a studio. I saw a content creator. I saw an agency. I saw a distributor. We want to learn from them. They're talking to a generation we're struggling to connect to as an industry.
In my experience, my music has drawn people of all ages, which is a real wonderful thing. And at my gigs you get everyone from six year olds to 90 year olds. And I find that really quite moving, actually.
I feel like a lot of teenagers have typically been played by 25 year olds, and even 30 year olds. It's nice that I'm playing a little bit more to my age, although from 15 to 19 are pretty progressive years.
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