A Quote by Tobin Heath

It was almost like I gravitated toward the people who were encouraging me to be like myself and to be creative and be different. — © Tobin Heath
It was almost like I gravitated toward the people who were encouraging me to be like myself and to be creative and be different.
When I heard Billie Holiday's voice, Nina Simone's and Ella Fitzgerald's - there was something about their voices to me that was such a different texture than what I was used to listening to at the time. Hearing those jazz voices were so different, and I think I just gravitated toward it.
I just gravitated toward (working behind the scenes by) growing up on the different sets and watching my father and other people in their different capacities...When I was 13 years old, I asked for a Super 8 camera.
I definitely had creative people around me, but my parents were more just very encouraging.
Then your fingers moved down to my chin. You pushed it up with your thumb to look at me, almost like you were studying me in the artificial lights above my head. And, I mean, you really looked at me … with eyes like two stars. [...] And I had wings fluttering away inside me all right. Big fat moth wings. You trapped me easily, drew me toward you like I was already in the net.
My dream was to make it in life. I didn't know how it was going to be. My brother guided me toward a wrestling ring, and I gravitated to it very quickly. It seemed like deja vu for me, and I said, 'Wow, I think this might be it.'
It was only later that I found out there was good '70s rock like the Raspberries and the Flaming Groovies. I always gravitated toward the '60s music more, though, like the Kinks, the Who and the Beatles, of course.
If I go back to when Borat and Ali G. were doing it, they were more just TV, cinema, TV, cinema. Whereas I live in more of the Internet age where people like to feel like they can still touch you, and so it's important for me not to almost box myself off.
I wouldn't compare myself to any past Idol contestant, because I don't feel like I am like any of them. Maybe stories are cool but my story is different from most people's story. I don't like to compare myself to other people, I like to just be me.
Conceptually, I've always gravitated towards arrangements that weren't just presenting one idea. I like to look at my songs as having a main part, an interlude, and almost like another song at the end.
It was almost like fear, in the way it filled me, rising in my chest. It was almost like tears, in how swiftly it came. But it was neither of those, buoyant where they were heavy, bright were they dull.
There are some areas of the world, and some areas in America, where people love full jewelry suites. That's never been something that I've gravitated toward, but I will create special collections for people who like that.
I feel like my game is more like LeBron's than Kobe's, so that's why I think I gravitated toward his game more.
That's the very definition of freedom: to be allowed to develop our own creative potential to the fullest. But it doesn't have to be in the arts, obviously. In my case, I gravitated toward the arts.
When I was young I was on punishment a lot and I used to watch a lot of TV, and I asked myself a question: 'How come people like Mike? How come they like Magic? How come they like Bird? How come they don't like the big guys?' So I just throw a little bit of what they were doing. You smile, you act crazy and silly. And I think people like me because I'm different. I've always been a class clown type of guy. It comes natural.
As a teenager, in my songbook, I used to script what my lighting would be like. I used to dance in my roo;, it was like putting myself in a trance, and making myself feel good about things, almost like a private ceremony of begging people to like you.
When I started making my own music I was listening to people like Erykah Badu and Elliott Smith. I think I always gravitated towards slightly more understated voices because it felt like I could really connect with what they were saying. It felt more like a conversation.
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