A Quote by Tobsha Learner

Rewrite, rewrite, rewrite, don't be precious about your first draft, it's an architectural blueprint to a whole building, be your own worst critic, confront your weakness and remember it's a craft.
I rewrite everything, almost idiotically. I rewrite and work and work, and rewrite and rewrite some more.
There were guys in 'The State' who would take one script and rewrite it and rewrite it and rewrite it and fight for it for a whole season, and after a couple of seasons, you realized that doesn't work. You have to just be willing to throw something away, no matter how good it is, and write a better joke.
I write very quickly; I rewrite very slowly. It takes me nearly as long to rewrite a book as it does to get the first draft.
Write your first draft with your heart. Rewrite with your head.
My writing process is very feedback-based. When I do stand-up, I listen to the audience. I try to understand what's connecting, what's not connecting, and then rewrite, rewrite and rewrite.
I try and get it right the first time. I may rewrite a sentence four or five times, but I rarely go back and kill a whole page and rewrite it.
Where I thrive is with my hands on the keyboard or my pen on the paper. One of the things I get to do is I get to rewrite. I rewrite, and I work hard on my scripts. You can rewrite until you're 'perfect,' and that's something that's safe for me.
You can't rewrite nothing, but you can rewrite 90 pages of sh*t. Now you've got your sh*t on the page, you can go work.
See, you can't rewrite, 'cause to rewrite is to deceive and lie, and you betray your own thoughts. To rethink the flow and the rhythm, the tumbling out of the words, is a betrayal, and it's a sin, Martin, it's a sin." --Hank (Kerouac)to Martin (Ginsberg) in the film Naked Lunch
I write very quickly; I rewrite very slowly. It takes me nearly as long to rewrite a book as it does to get the first draft. I can write more quickly than I can read.
My writing process is very feedback based - I listen to the audience. I try to understand what's connecting, what's not connecting... and then rewrite, and rewrite, and rewrite. Chris Gethard and I have been on the road a lot together. When we get on the bus at night, we talk about the jokes that didn't work and the joke possibilities that could work. I think this is a little different from other writers.
Write freely and as rapidly as possible and throw the whole thing on paper. Never correct or rewrite until the whole thing is down. Rewrite in process is usually found to be an excuse for not going on.
I write a very rough first draft of every chapter, then I rewrite every chapter. I try to get it down in the first rewrite, but some chapters I can't get quite right the third time. There are some I go over and over and over again.
I do not rewrite unless I am absolutely sure that I can express the material better if I do rewrite it.
Good writing is writing and rewriting and rewriting and rewriting. Sometimes, it happens to work right away, and that's amazing. But most of the time, it happens to work, and then you rewrite and rewrite and rewrite, and maybe it even comes back to the thing it was in the first place, but then you know for sure that it is good, and it's what you wanted to do.
What you get at the BMI Workshop is the rarest commodity in New York City: Friendly criticism; people who genuinely root for you; and a chance to rewrite your work, try it again, and hone your craft.
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