A Quote by Toby Jones
Somewhere the glamour has gone because of the industrialization of this whole process. I wish it [filming] felt as magical and glamorous as people want it to be, but it feels like a routine people are going through.
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I think having not only personal connections with friends and family I'm able to pull from, but having a connection with so many people through social media, it also feels like I have a relationship with those people that follow me. And feel that what I'm going through, they've gone through something similar, and that's why we've connected. And they're the ones that make it into that body of work that represents them or that time in their life, because we've found each other.
You can write a whole fiction, and you're talking to people who have gone through that, in real life. But the truth of it is that when you're talking to those people, you don't care about your movie anymore. You just want to hear about what they have gone through. You want all of the details. It's amazing.
I'm just not the glamour type. Glamour girls are born, not made. And the real ones can be glamorous even if they don't wear magnificent clothes. I'll bet Lana Turner would look glamorous in anything.
No matter what decision I make, I want people to know that there's a reason I made it, and it's because it was something I felt like needed to happen. I don't want people to think that I've just gone crazy.
We have no chance to comprehend what goes on there - it's so dramatic, and people are so poor. We all felt bad about being there. Filming in India felt like we were going to borrow something knowing that we were never going to give it back.
Being in front of the camera, you never got to see the whole process from the conception of the script all the way through to the filming process.
All streams flow to the sea because it is lower than they are. Humility gives it its power. If you want to govern the people, you must place yourself below them. If you want to lead the people, you must learn how to follow them. The Master is above the people, and no one feels oppressed. She goes ahead of the people, and no one feels manipulated. The whole world is grateful to her. Because she competes with no one, no one can compete with her.
You want the character to keep being able to grow through the process of writing, through the process of filming, and editing, you want to discover things about that character.
Life isn't as magical here, and you're not the only one who feels like you don't belong, or that it's better somewhere else. But there ARE things worth living for. And the best part is you never know what's going to happen next.
Things down here in Hawaii are similar to Alabama. We go to church every Sunday. People are treated like family there just like here. There are many similarities there, and you want to be somewhere that feels like home, and that's what Alabama feels like.
Folks, folks, we want to end Obamacare, we want to go to a plan that's so much better and so much less expensive, right? We want to have borders and we want people to come into our country. We welcome people, but they have to come in through a legal process. So, we're going to have a wall, but it's going to have a big, beautiful door and people are going to come into America, but they're going to come in legally.
I guess it's interesting traveling, for me, because I never in my life until doing this felt a sense of being from anywhere particularly, whereas now I do feel quite European. Even if we don't get up to England, if we're in France or somewhere like that, it feels more like going back somewhere familiar - more than even America, where we share a lot of cultural stuff.
I like the little chess match of how people move through space. I'm not comparing myself to Michelangelo with this analogy, but he said when he sculpts it's like finding the sculpture within. It feels that way when you are with actors, too. There's a natural way to do this with a natural language that flows and feels like real people talking. And you've just got to find it. So I enjoy that part of the process.
The issue of torture, connected to American soldiers, is not somewhere most people want to linger. We may not want to confront this issue so much in the U.S. because of how we want to think about our veterans. There's the sense that we want to think of our veterans as - if they're damaged, damaged by something glamorous, like a firefight.
My idea of a good picture is one that's in focus and of a famous person. People are only glamorous if you don't see them. Like the movies used to make people years ago. There is something about people on screen that makes them so special; when you see them in person, they are so different and the whole illusion is gone.
I think there's a lot of people going through different things where you feel like your whole world's imploded, and you feel like you lost it all, whether it's physical, emotional, whatever you're going through. If I can be that beacon of hope for people that need it the most through dancing and through our storytelling, then I've done my job.
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