A Quote by Toby Jones

You're playing a character in a drama who happens to be based on someone who existed. It's never going to 'be' that person, but it's based on someone well-known, and you want to create enough of that person for it not to be a distraction.
My stand-up has always been very character-based. I'm not really the kind of person that's like, 'Hey, here's what's on my mind! Tip your waitress!' I would create the jokes based on the character I was playing. It was always a performance-based thing for me.
Unless you're playing a real character based on a real person, if someone else has done it before, you're probably better off not watching it as an actor. Otherwise you end up trying to copy someone else.
I find it easier to play someone who is so far from me because you create someone - you build this person based on the story and the script, with the director.
Everyone is entitled to their opinions, and I feel like everyone judges people: regardless of whether they know someone or not, they have an opinion based on the persona of the person. I guess you can only have a real opinion of who they are as a person once you meet someone.
I want someone who will love me for the person I am and not because of my status. It has to be someone who understands the pressure of playing for India. It will be very difficult to be with a person who has her own career because someone has to make sacrifices for the family and house.
In one book, CACHALOT, just for my own amusement, every character is based directly on someone I have known.
I think every character I've ever come up with has been based on someone or something I've known.
Drama is based on the Mistake. I think someone is my friend when he really is my enemy, that I am free to marry a woman when in fact she is my mother, that this person is a chambermaid when it is a young nobleman in disguise, that this well-dressed young man is rich when he is really a penniless adventurer, or that if I do this such and such a result will follow when in fact it results in something very different. All good drama has two movements, first the making of the mistake, then the discovery that it was a mistake.
I want to build a life with someone that's based on their dreams as well as my dreams. I think that the idea of finding another person to share with is the most fascinating, beautiful quest you could ever be on in life.
eBay's business is based on enabling someone to do business with another person, and to do that, they first have to develop some measure of trust, either in the other person or the system.
You fall in love with someone, you don't know this person yet, and you get to know this person. That's what happens when I fall in love with a character, and I want to be this person.
The reality is the only place a company's culture is going to start and end is at the beginning of that company. And it always starts with the founders. So if you can't create an environment of founders and founding employees who are going to represent the company you want, then you are never going to get there. You have to look at your own network and find what you are missing. So if you don't have a female or someone who has an international perspective or a person with a bio degree, but those perspectives matter to the firm or product you want to create, then it's never going to work out.
I think a lot of drama, nowadays, is character-based and development-based, but 'True Blood' is very plot-oriented.
I really like acting because you can create a character. You can make someone who has never existed before. That's neat.
It's almost like living a double life where I'm in a limbo space where Amanda Knox, a real person, exists, 'Foxy Knoxy,' an idea of a person, exists, and I'm constantly having to juggle how someone is interacting with me based upon that two-dimensional person of me that has been in the public's imagination for so long.
You almost have to step outside yourself and look at you as if you were someone else you really care about and really want to protect. Would you let someone take advantage of that person? Would you let someone use that person you really care about? Or would you speak up for them? If it was someone else you care about, you'd say something. I know you would. Okay, now put yourself back in that body. That person is you. Stand up and tell 'em, "Enough!
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