A Quote by Toby Jones
I studied Hitchcock a little bit at University and knew the famous story about the Birds - that he'd tortured Tippi for a day using real birds. I had no idea that it was a five-day onslaught and that it was the tip of an iceberg that carried on through to another film.
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You'll think this is a bit silly, but I'm a bit--well, I have a thing about birds." "What, a phobia?" "Sort of." "Well, that's the common term for an irrational fear of birds." "What do they call a rational fear of birds, then?
The narrator blames the birds. And you want to blame the birds as well. I blamed the birds for a long time. But in this story everyone is hungry, even the birds. And at this point in the story so many things have gone wrong, so many bad decisions made, that it’s a wonder anyone would want to continue reading.
The kingdom of birds is divided into two departments - birds and House Sparrows. House Sparrows are not real birds - they are little beasts!
I went to film school and studied Alfred Hitchcock. I knew of Alma Reville existence, but had no idea really who she was or how influential she was on him. She stayed in the shadows. Go online, and there are hardly any images or film of her. She really stayed out of the limelight on purpose. She didn't want it, and I think that's one of the reasons that she's really lost in the shadows of Hitchcock's history to a degree.
Fifteen birds in five firtrees, their feathers were fanned in a fiery breeze! But, funny little birds, they had no wings! O what shall we do with the funny little things? Roast 'em alive, or stew them in a pot; fry them, boil them and eat them hot?
The first time Calypso came to check on [Leo], it was to complain about the noise. “Smoke and fire,” she said. “Clanging on metal all day long. You’re scaring away the birds!” “Oh, no, not the birds!
Right now the day length is exactly the same as in spring when birds key into it and begin singing. The birds are a little confused by it all and the singing isn't very intense. It only lasts a week or so each fall, but it's still cool to hear spring bird songs at this time of the year.
Each time I told my story, I lost a bit, the smallest drop of pain. It was that day that I knew I wanted to tell the story of my family. Because horror on Earth is real and it is every day. It is like a flower or like the sun; it cannot be contained.
We had lunch that day [with Chris Ellis], and I was talking about this idea. I toyed with it a little bit on Twitter in story form at one point. And he thought it was a great idea, and he thought, "Well, let's bring my friend Harry Hannigan in, who's a wonderful writer, and let's see if we can put something together."
In real life, when you have an emotional experience, it's never just because of the thing that's been said. There's the backstory. It's like [Ernest] Hemingway's iceberg theory - the current emotional moment is the tip of the iceberg and all of the past is the seven-eighths of the iceberg that's underwater.
We also have this reflex of using specialists for everything, instead of having the person who is there every day with them, the teacher, talk about death and suicide. In the film, it's portrayed a little bit like a caricature, but it's the psychologist who comes in and Monsieur Lazhar does not think it's a good idea. He thinks he should be the one who should talk about that with the children.
If you want to do a movie about aliens coming down to Earth nowadays, you need to do it with a smile. When Tim Burton did Mars Attacks, he tried to make it a little bit kitschy, because it's not scary for people anymore. It's not scary that birds will attack you anymore, but I'm sure it was when Alfred Hitchcock made it. And it still is when you watch it.
I love the idea of birds having human qualities...I think all humans want to be birds so we can fly.
Every day, I get up, and I fill the bird feeders and put out fruit and other food for both the birds and any passing mammals. Is that pointless long-term? I have no idea. All I know is that on this day, in this moment, it makes a difference.
The thing about photography is that every day is a new day, even if you are working on the same story, because every day you have got a chance to correct what you did the day before, and try to take it a bit further or a bit back.
The birds never needed passports... We always thought, the birds can go wherever they want, and we couldn't, really. The birds were very much the symbol of... free movement for me.
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