A Quote by Toby Jones
One key element to Hitchcock is the drooping jowl. That was crucial because his silhouette is crucial. There is something about his silhouette that became his brand.
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It's Toby Jones playing Alfred Hitchcock, not Alfred Hitchcock. We all felt that his silhouette was crucial, so his nose and lips were crucial as well. We had to build it out a bit to get the silhouette. But, with my nose being so small within the proportion of my face, the first nose was too big. I felt like a nose on parade.
Most of us would agree that the important thing about Jesus is not his supposed miraculous birth or the claim that he was resurrected from death, but rather how he lived. The power of his love, the penetrating simplicity of his teachings, and the force of his example of service on behalf of the disenfranchised and downtrodden are what is crucial.
Just getting totally absorbed in that and therefore when I came back around to [Buckminster Fuller] and found that much of it was made up, I realized that nevertheless, it really was crucial, crucial for how he understood himself, I believe, and certainly crucial for how anyone else ever engaged in his ideas and therefore as a starting point, how can we engage in his ideas today, but with a remove of knowing that it is a myth and being able to navigate it in that sort of level, at that level of reading him as a story.
All my career, I've said this: Critics and producers think audiences want actors that only present the silhouette and hit the points in the silhouette. What I do is too dangerous.
Stuart Hall was an utterly unique figure. Although he arrived at the age of 19 from Jamaica and spent the rest of his life here, he never felt at home in Britain. This juxtaposition was a crucial source of his strength and originality. Because of his colour and origin, he saw the country differently - not as a native, but as an outsider.
I think it crucial to recognize that you can't straightforwardly "adapt" Douglas Adams. Douglas's genius was uniquely his own. What I've tried to do here, and in every other version, is to be true to the character and the Adams' tone and approach to narrative, his unique brand of word-play and "idea-play" humor.
The only leverage the manufacturer can apply to the retailer is his relationship with the consumer. And the main element in profit growth is going to have to lie in making his brand more valuable to the retailer, through its being more valuable to the consumer. And that means his brand must be unique, it must have no adequate direct substitutes - because it is in this, after all, that value lies.
That’s how Ptolemy imagined the disposition of his memories, his thoughts: they were still his, still in the range of his thinking, but they were, many and most of them, locked on the other side a closed door that he’s lost the key for. So his memory became like secrets held away from his own mind. But these secrets were noisy things; they babbled and muttered behind the door, and so if he listened closely he might catch a snatch of something he once knew well.
Magnus stood up and went to the window. He pushed the curtain back, letting in just enough light to silhouette his hawklike profile. "Blood," he said, half to himself. "I had a dream two nights ago. I saw a city all of blood, with towers made of bone, and blood ran in the streets like water." Simon slewed his eyes over to Jace. "Is standing by the window muttering about blood something he does all the time?" "No," said Jace, "sometimes he sits on the couch and does it.
Even going to [ Kanye West] warehouse and modeling for a lot of his new season stuff taught me about my silhouette, how the clothes fit - I've definitely learned a lot being around him.
Born in Kansas City, Missouri, and knowing nothing about Picasso, I had the audacity to knock on his door, became his friend, and took thousands of photographs, of him, his studios, his life and his friends.
There is no doubt that Bronstein's shrewd understanding of chess psychology was crucial to his success. Without it, his impetuous style and technical flaws might have relegated him to a minor career.
However Donald Trump came upon the foreign policy views he espoused, they were as crucial to his election as his views on trade and the border.
We've turned off all the lights in the living room to make hand shadows. We've got this big flashlight aimed at the wall. I make the silhouette of my hand into a duck. Robin makes his into a rabbit. Now my duck kisses his rabbit And-POOF!- it turns into a turkey. And for some reason this strikes us as hysterically funny. But you probably had to be there.
Pablo really felt the suffering of people and so became a political animal. But he wanted to bring down extradition because this was the only thing he feared, and it became his obsession, his crusade, his cross.
Modern mass culture, aimed at the "consumer", the civilisation of prosthetics, is crippling people's souls, setting up barriers between man and the crucial questions of his existence, his consciousness of himself as a spiritual being.
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