A Quote by Toby Keith
In the years that Ive seen concerts, when Ive paid to see somebody I want to see, there would be a certain amount of songs Id want to hear. So whether its stuff I want to play every night or not - or stuff Ive been playing for years or stuff you get tired of playing - you have to play what people pay for and make it fair for them.
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In the years that I've seen concerts, when I've paid to see somebody I want to see, there would be a certain amount of songs I'd want to hear. So whether it's stuff I want to play every night or not - or stuff I've been playing for years or stuff you get tired of playing - you have to play what people pay for and make it fair for them.
Its always been fun for me to play a variety of parts, and over the years, Ive been lucky with the things Ive been asked to do.
Ive been fortunate to be short my entire life. Theres only one position Ive ever had to play, and thats point guard. So Ive always had to be that leader. And that was my job: you know, to talk.
At the end of the day, my life isnt about other peoples work. Ive got to stop giving stuff away. Ive got my own stories to tell, and a great need to tell them. Ive got these images, these thoughts in my head, and I need to find a way to cope with them.
Ive had one very bad ankle injury but otherwise Ive been incredibly lucky with my fitness. Ive worked hard at it and Ive always been fit even compared to other players. That sustains you through various parts of your career, but I am 36.
Ive always really been into science, and in the last five years Ive gotten into theoretical physics and the origins of the universe.
And working on 'Grantchester' is a joy. Ive been in the business for 35 years and Ive never been on a film set that is so joyous and life-affirming.
I see friends who are in different genres of music, and they say they're so burnt playing the same stuff every night. That's why you see a country act wanting to go out and play an old classic rock song. But what cracks me up is that they all want to be Jimmy Buffett. I can't figure that out.
Im happy to say that at 62, I think Ive reached that point where stuff doesnt bother me as much, and my gratitude level has gone way up, especially having gone through the loss that Ive had, and losing so many of the great artists that I was close to. They taught me how to see it with a grain of salt and a lot of humor and perspective.
You can read books on stuff all day long, but until you get out there and just do it, if you want to start playing, and you want to make some music, then go out and play. Go find yourself a venue and play, even if it's in your home. Just play every day. You win the fight by fighting.
Well, you know, when you're putting together a show, you've got to be careful not to load it up with the new stuff. We have to play the songs that people want to hear, too. People may come thinking, "Oh, I've just got to hear this song." Or maybe they'll write me a letter saying a certain song is really meaningful to them, so we'll be sure to play those songs.
Ive had my share of difficult moments, but whatever difficulties Ive gone through, Ive always gotten a prize at the end.
Ive definitely got a sense of not being very good at stuff. Its sort of absurd because, you know, Ive done really quite well for myself, but I still really doubt myself. Its just the way I am.
I want stuff to play as wide as possible. I want to be able to see... if I could play the whole thing in a master and it could be compelling enough, that'd be great. Then it simplifies my day, it simplifies life for the actors when you could just focus on that. But by the same token I don't want to be forced into coverage. So I want it to be as good from every angle and I need to get as many of the kind of shadings that I want from every angle.
Doing new stuff live is tough just simply because I pay my money, I stand in my seats, and I see the guys I love. And if I paid that ticket, there's a good chance that I'm there to hear the stuff that made me fall in love with 'em - we call it the "old stuff." And if an artist comes in town and dumps his entire new album on me, as a listener in a concert venue, it happens to miss out on the old stuff that I came there for. That doesn't work too well for me as a listener. Most of the time for concerts, it's the old stuff.
Playing new songs at festivals is weird, obviously. People at festivals are always a bit drunk, and probably just want to hear stuff they know by bands they love, or are checking you out and don't know your stuff very well.
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