A Quote by Toby Keith

I get more respect from rap artists than I do from my own industry. I don't always write the kind of music that country executives want. Rappers are like that too .. my words come from the street, and their words come from the street. That slicked-up pop stuff doesn't come from the street, it's all pre-fab.
With rap music, because it's all so on the street, you get treated like a street cat: "All right, you've been eatin' enough, you're fat, get out of the way now and let somebody else come by."
In my dream I hadn't arrived at this street yet; this was just downloaded to me as this woman mentioned only the street name. It reminded me of hearing the words "Disneyland" and how we are instantly filled with joy and recognize it as a happy place full of fun. The words "Media Spring Street" created a movement of its own. When people just simply heard "Media Spring Street" it was like catching a wave of God and you wanted to get there as fast as you could!
People come up to me in the street and use words like 'legend.'
No man can control Wall Street. Wall Street is like the ocean. No man can govern it. It is too vast. Wall Street is full of eddies and currents. The thing to do is to watch them, to exercise a little common sense, and … to come out on top.
The dirty little secret on Wall Street: Eighty percent of the Wall Street executives' and their spouses' donations go to Democrats. It's like they've got some kind of little sweet deal, where we'll call you fat cats and demean you and stuff, but you will get richer than your wildest dreams.
But words have been used too often; touched and turned, and left exposed to the dust of the street. The words we seek hang close to the tree. We come at dawn and find them sweet beneath the leaf.
I've got four houses in my street. I live in two, and the others are empty. I'll buy more as they come up, because I think it would be great to have the entire street.
All on the street, you get treated like a street cat: "All right, you've been eatin' enough, you're fat, get out of the way now and let somebody else come by."
I will say, though, that San Francisco is a very friendly city. It's the kind of place where people smile at you and you can strike up conversations on the street, so there's always an adjustment when I come back to New York. If I smile at someone on the street in New York, then they think there's something up - like, "Why is she smiling?"
I just want to put my stamp on all kinds of music. Everything I do is going to be gangsta rap, street-based, street-oriented.
There are street artists. Street musicians. Street actors. But there are no street physicists. A little known secret is that a physicist is one of the most employable people in the marketplace - a physicist is a trained problem solver.
Rap is hardcore street music but there are women out there who can hang with the best male rappers. What holds us back is that girls tend to rap in these high, squeaky voices. It's irritating. You've gotta rap from the diaphragm.
Your street, rich street or poor Used to always be sure, on your street There's a place in your heart you know from the start Can't be complete outside of the street Keep moving on through the joy and the pain Sometimes you got to look back To the street again Would you prefer all those castles in Spain? Or the view of your street from your window pane?
I'm interested in confronting police brutality and police abuse of cracking down on street performers and street artists, but also in valorizing street art as legitimate performance within the artistic sphere, where it's so often conflated with pan-handling and begging and not "successful" art. I want to change laws around street performance.
They [the Reagan Administration] want to put street criminals in jail to make life safer for the business criminals. They're against street crime, providing that street isn't Wall Street.
I think I've grown up in a mixed environment, and maybe a lot of the time I haven't really belonged anywhere in the way I've dreamt of belonging to, you know, living on the street and playing to all the kids on the street, growing up together. I suppose 'Raw Like Sushi' was a place where all of those things could come together.
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